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Contributors
Issues
![Issue 41:3 | December 2021 | INDIGENOUS_Visualising Sovereignty Issue 41:3 | December 2021 | INDIGENOUS_Visualising Sovereignty](/images/issues/4130_600w.jpg)
![Issue 34:4 | December 2014 | Sustainable? Issue 34:4 | December 2014 | Sustainable?](/images/issues/3440_600w.jpg)
![Issue 31:2 | June 2011 | Indigenous: Beauty & Terror Issue 31:2 | June 2011 | Indigenous: Beauty & Terror](/images/issues/3120_600w.jpg)
![Issue 28:1 | March 2008 | Fuel for Thought Issue 28:1 | March 2008 | Fuel for Thought](/images/issues/2810_600w.jpg)
![Issue 26:4 | December 2006 | Elders: The Old Magic Issue 26:4 | December 2006 | Elders: The Old Magic](/images/issues/26_4_600w.jpg)
![Issue 20:2 | June 2000 | The Long Stare: Seeing Contemporary Asian art Now Issue 20:2 | June 2000 | The Long Stare: Seeing Contemporary Asian art Now](/images/issues/2020_600w.jpg)
![Issue 18:2 | June 1998 | Public Art in Australia Issue 18:2 | June 1998 | Public Art in Australia](/images/issues/1820_600w.jpg)
Articles
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My formal arts education began in a strange place: the Elisabeth Murdoch building at the University of Melbourne where I took an art history elective. Built in 1885 by Joseph Reed, the Gothic architecture reinforced the rigid authority of the colony. Glaringly elitist, it resembled both church and orphanage. It was full of confusing hallways, which remained impossible to navigate. Inside its constructed edifice, middle-aged white men in paisley shirts lectured, with exotic hand gestures, on First Nation artists (when they were spoken of at all). And white women in the faculty asserted a self-righteous paternalism that was far worse.
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I paint my face as my mother’s mothers have done before me
In this new ritual sitting on my bedroom floor
We name each pigment after revolutionaries
Because I am my mother’s daughter
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Freelance curator, honorary associate of Museum Victoria and Blandowski-ite from way back John Kean analyses this prickly Prussian polymath's Illustrated Encyclopedia on Australia at last brought together and to light by the efforts of New Zealander Harry Allen. The book includes contributions by Mark Dugagrist, Brook Andrew, Luise Hercus and Thomas A. Darragh.
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