Paint every hill: Billy Benn

Billy Benn Perrurle and Catherine Peattie
with essays by Ian McLean and Judith Ryan
IAD Press RRP $34.95

Published June 2011

Report on Remembering Forward Forum, Cologne

Ian McLean is Winthrop Professor, Faculty of Architecture, Landscape and Visual Arts, The University of Western Australia.

Published June 2011

Exhibitions to Watch

Published June 2011

Darren Siwes: dialogue with Rembrandt

Dutch art historian Marianne Riphagen, whose PhD looked at contemporary Indigenous photo-media artists, draws togther the dark and light in the artwork of Rembrandt and South Australia-based Darren Siwes to question the Dutch Golden Age.

Published June 2011

John Barbour

John Barbour (1954-2011), a complex, intelligent and much loved South Australian artist and academic, was in the prime of his life and at the height of his career when he died on Sunday 17 April 2011.

Published June 2011

Why is there a donkey in that painting?

The painting is by Madigan Thomas of her first contact with pastoralists. She painted her family watching – for the first time – whitefellas traverse donkeys through her country.
ANU PHD candiate Cate Massola who worked at Warmun Art Centre for a year describes the way art and education complement each other in Gija country.

Published June 2011

Landscapes and Horses: Ivan Durrant

Curator: Rodney James
Mornington Peninsula Regional Gallery
16 February - 26 April 2011

Published June 2011

Rewriting the Labels

Indigenous culture is moving out of dedicated spaces and into the mainstream. Ultimately all Indigenous culture is claiming the space for experiences that have not been widely told and this broadens the space for the stories of everyone whose stories are untold.

Published June 2011

Bruce Reynolds: Air Percussion

Ryan Renshaw Gallery, Brisbane
3 - 26 March 2011

Published June 2011

To hold and protect: Mulka at Yirrkala

The Mulka Project is a Yolngu archive and production centre incorporating a theatre, media lab, project office, audio video library and museum. “As the Mulka Project is growing up we need to be clear that it is just a resource and the law and culture is coming from the land where people are staying, even where there is no one staying, its patterns, the designs and culture, are coming from the country.” states Djambawa Marawili.

Published June 2011

Romantic Landscapes

Laura Fisher worked for three years on indigenous artists' biographies for the DAAO (Dictionary of Australian Artists Online) and is now completing a doctoral thesis on the indigenous art market at the University of NSW. Here she brings her wide knowledge to bear on representational and romantic landcape paintings by indigenous artists.

Published June 2011

Donning Oxford

Christian Thompson who is one of the two inaugural Charlie Perkins Scholars at Oxford University writes about this experience and how it makes him think of his upbringing and the responsibility it entails. "...it is our arrival at Oxford that reminds me of how much work we still have ahead of us as young Aboriginal people and future leaders of our communities. This is something you feel as an inherent responsibility when you meet people daily from all around the world, whose communities are facing similar hardships and the symptoms of the ravages of colonisation; time is of the essence."

Published June 2011