Jason Wing: In Flight

Cover of Jason Wing: In Flight
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
NAVA
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Larissa Behrendt writes about both soothing and painful installations and paintings by Jason Wing that explore his Chinese and Aboriginal roots.

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Jo Rootsey: Painting Country
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Dina Ibrahim

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Torres Strait Islander watercolours
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Ulli Beier
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Ulli Beier (1922-2011)
I remember a Yoruba saying that Ulli often quoted: “If an old man dies, you shall not weep but congratulate his family for that his life has come full circle.”

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New displays at Pitt Rivers Museum
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Action at Canopy Artspace in Cairns
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Tracey Moffatt / Stop(the)Gap /
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Stop (the) Gap: International Indigenous art in motion
Curator: Brenda Croft
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Vernon Ah Kee: tall man
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Space Antics: Sue Henderson, David Marsden, Penny Mason
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Euraba Paper Company, Boggabilla
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ACE Open
Axolotl
The Japan Foundation
Crown Resorts
AFF