New displays at Pitt Rivers Museum

In 2009 eight new case displays were added to the legendary 1884 Pitt Rivers Museum in Oxford. Indigenous art scholar and lecturer Susan Lowish examines how Aboriginal art fared in this rejig of history.

Published June 2011

CoBra and Aboriginal art at AAMU, Utrecht

Newtown fellow at the University of Cambridge Khadija La visited AAMU (the Musuem of Contemporary Aboriginal Art) in Utrecht to see "Breaking with Tradition" an exhibition curated by Georges Petitjean that hangs works by CoBrA artists together with work by Indigenous artists and Roar artists who work or worked in Indigenous art centres.

Published June 2011

Why is there a donkey in that painting?

Published June 2011

Yalangabara: Art of the Djang'kawu

'Yalangabara: Art of the Djang'kawu' curated by Banduk Marika and Margie West includes art made from 1939 till recently. All works are about the same creation story and all comprise a history of creative and spiritual custodianship by the Marika family of the Rirratjingu clan.

Published June 2011

To hold and protect: Mulka at Yirrkala

The Mulka Project is a Yolngu archive and production centre incorporating a theatre, media lab, project office, audio video library and museum. “As the Mulka Project is growing up we need to be clear that it is just a resource and the law and culture is coming from the land where people are staying, even where there is no one staying, its patterns, the designs and culture, are coming from the country.” states Djambawa Marawili.

Published June 2011

Conjure: Zoe Porter

Level Gallery, Brisbane
12 March – 1 April 2011

Published June 2011

FELTspace Gold

FELTspace, 12 Compton St, Adelaide
9 March – 3 April 2011

Published June 2011

Paperartzi '11

Perth International Art Festival
Albany, WA
5 - 20 March 2011

Published June 2011

Victorian Indigenous Art Awards 2011

Article on VIAA, Indigenous arts in Victoria – from the VIAA Curator.

Published June 2011

Yiwarra Kuju: The Canning Stock Route

Sarah Scott reviews and questions Yiwarra Kuju: The Canning Stock Route exhibition at the National Musuem of Australa. She asks: "Why don’t the NMA’s collections of Indigenous material culture feature more strongly in their exhibition program? Why are both the NMA and the National Gallery of Australia (NGA) collecting the highly sought after and expensive works produced by major Papunya artists? If the commissioning of art and associated documentary material is a priority for the NMA what other Indigenous material culture may they be neglecting?"

Published June 2011

Euraba Paper Company, Boggabilla

Associate Lecturer at the College of Fine Art in Sydney Tess Allas writes about when she was NSW Regional Indigenous Cultural Officer and first met the women of Boggabilla who formed the Euraba Paper Company which won the Parliament of NSW Aboriginal Art Prize in 2010.

Published June 2011

Romantic Landscapes

Laura Fisher worked for three years on indigenous artists' biographies for the DAAO (Dictionary of Australian Artists Online) and is now completing a doctoral thesis on the indigenous art market at the University of NSW. Here she brings her wide knowledge to bear on representational and romantic landcape paintings by indigenous artists.

Published June 2011