Fiona Foley: Public and Political
Fiona Foley's recent public work has gone from strength to strength most recently at Mackay where her six large new works form a trail commemorating the Pacific and black history of the region.
More from this Issue
Elcho Island: Morning Star over London
Artlink's UK contributing editor Jo Higgins interviewed Melbourne-born London gallerist Rebecca Hossack about her Indigenous art program and her attempts to raise its profile in London. She has two galleries and each summer for three months both galleries show only Australian Indigenous art in her Songlines series. Recently Elcho Island art featured.
Tracey Moffatt / Stop(the)Gap / <BR>tall man
Tracey Moffatt: Narratives Curators: Stephen Zagala, Maria Zagala Art Gallery of South Australia 26 February - 20 March 2011 Stop (the) Gap: International Indigenous art in motion Curator: Brenda Croft Samstag Museum of Art 24 February - 21 April 2011 Vernon Ah Kee: tall man Australian Experimental Art Foundation 23 February - 26 March 2011
Victorian Indigenous Art Awards 2011
Article on VIAA, Indigenous arts in Victoria – from the VIAA Curator.
Yiwarra Kuju: The Canning Stock Route
Sarah Scott reviews and questions Yiwarra Kuju: The Canning Stock Route exhibition at the National Musuem of Australa. She asks: "Why don’t the NMA’s collections of Indigenous material culture feature more strongly in their exhibition program? Why are both the NMA and the National Gallery of Australia (NGA) collecting the highly sought after and expensive works produced by major Papunya artists? If the commissioning of art and associated documentary material is a priority for the NMA what other Indigenous material culture may they be neglecting?"
CoBra and Aboriginal art at AAMU, Utrecht
Newtown fellow at the University of Cambridge Khadija La visited AAMU (the Musuem of Contemporary Aboriginal Art) in Utrecht to see "Breaking with Tradition" an exhibition curated by Georges Petitjean that hangs works by CoBrA artists together with work by Indigenous artists and Roar artists who work or worked in Indigenous art centres.
Rewriting the Labels
Indigenous culture is moving out of dedicated spaces and into the mainstream. Ultimately all Indigenous culture is claiming the space for experiences that have not been widely told and this broadens the space for the stories of everyone whose stories are untold.
Denis Nona: Art Terroir-ist
Griffith Artworks and Griffith University Art Gallery Director Simon Wright reviews the stellar career in sculpture and printmaking of Torres Strait Islander Denis Nona whose newest commission at the Musée des Confluences in Lyon is eight metres high.
Trevor Nickolls: Other side Art
This is the first time that noted historian and writer on Aboriginal art Ian McLean has written a substantial interpretive artcile on the work of Trevor Nickolls. Nickolls began working in the 70s and is still painting his own particular brand of cross-cultural art.
John Barbour
John Barbour (1954-2011), a complex, intelligent and much loved South Australian artist and academic, was in the prime of his life and at the height of his career when he died on Sunday 17 April 2011.