Contributors

Ali Gumillya Baker

Articles

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Body, remember: Wrap me in a sister cloak

Tracey Moffatt’s series Body Remembers (2017) draws its title and responds to the poem by Constantine P. Cavafy (1918). In each of the series of large photographs we see a woman alone, in the ruins of colonial buildings, on the shadows of eroded stones. We see her looking out of windows, looking out into the distance. As the viewer, we see the back of the woman’s head, or the shadow of the woman, or her face that is covered by her hands as the Aboriginal woman maidservant looking out. The body in this title could be read as both our country and our flesh. The sovereign woman mourns. What do we mourn?

The Art of Compassion
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Wardlipari Homeriver: Vulnerable observations

Wardlipari is the homeriver in the Milky Way.
Purlirna kardlarna ngadluku miyurnaku yaintya tikkiarna.

The stars are the fires of people living there. Yurarlu yurakauwi trruku-ana padninthi Wardlipari.

Yurakauwi the rainbow serpent goes into the dark spots in the Milky Way.
Ngaiyirda karralika kawingka tikainga yara kumarninthi.

When the outer world and the sky connect with the water the two become one.

Local Colour
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Bound and Unbound: Sovereign Acts (Act 1)
Ali Gumillya Baker with Faye Rosas Blanch, Natalie Harkin and Simone Ulalka Tur on decolonising methodologies of the lived and spoken
Performative
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Long Way Home: A celebration of 21 years of Yunggorendi First Nations Centre
Yunggorendi First Nations Centre for Higher Education and Research at Flinders University, celebrated 21 years of operation in 2011 with an exhibition of work selected by staff and students from the collection of Flinders University Art Museum. Artist Ali Gumillya Baker critically reviews selected works in the exhibition and the issues they raise.
Indigenous: Indignation
AMaGA NAVA Cementa Unley Museum