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Bridget Currie, Each surface touched [work in progress], 2026. Mulberry and rag papers eaten by snails, glue, board, pearlescent ink. Photo: Sam Roberts.
EXPERIMENTAL ART_Rattling the Archive
Issue 46:1 | Parnati-Kudlila / Autumn-Winter 2026
Bridget Currie, Each surface touched [work in progress], 2026. Mulberry and rag papers eaten by snails, glue, board, pearlescent ink. Photo: Sam Roberts.

In this issue

Editorial - Experimental Art: Rattling the Archive
Sasha Grbich
Feeling ‘Incidentally Aesthetic’ in the Age of Instagram
Danni Zuvela
Digesting Experimental Art Histories
Sasha Grbich
After the Women’s Art Movements: Inheritances of Care and Relationality in Contemporary Art
Anne Marsh
Bloomin’ Toxic
Melinda Rackham
In the Fullness of Time: Historicising Sonic Practices
Gail Priest
Bent Experiments in Time
Daniel Mudie Cunningham
Collecting the Ephemeral: Conceptual and Experimental Practice in University Collections
Simone Hine
The Recirculate Experiment: The Gallery as Laboratory
Tracey Clement
Augmented Dreaming: Kat Bell and Trevor Nickolls’ Living Archive
Kat Bell and Angelika Tyrone
Unfinished Business: Experimental Art in Aotearoa New Zealand
Christina Barton
Rinse and Repeat: The Blak Laundry project
Troy-Anthony Baylis
Archiving Australian Media Arts
Candice Cranmer
Experimenting with the Shadows of AI
Brian Obiri-Asare
Yield Strength: 2026 Adelaide Biennial
Ena Grozdanić
Brenda L Croft: after/image
Helen Ennis
Awakening Histories
John Mateer
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VADEA Perks Flinders University Museum Art AGSA Biennial
Robert Fielding with works in Ngura Pulka – Epic Country. From left, Zaachariaha Fielding, Inma 2022. Robert Fielding, Ngurkantananma (Recognise) 2022 © the artists, image courtesy of APY Art Centre Collective. Photo: Rohan Thomson
Reviews
Robert Fielding with works in Ngura Pulka – Epic Country. From left, Zaachariaha Fielding, Inma 2022. Robert Fielding, Ngurkantananma (Recognise) 2022 © the artists, image courtesy of APY Art Centre Collective. Photo: Rohan Thomson
Ngura Pulka — Epic Country
Una Rey
Notes from Art Basel Hong Kong
Eleen Deprez
Yield Strength: 2026 Adelaide Biennial
Ena Grozdanić
Awakening Histories
John Mateer
Brenda L Croft: after/image
Helen Ennis
Margit Brünner - Falling Open (not apart)
Athanasios Lazarou
The Hidden Line: Art of the Boyd Women
Juliette Peers
Hany Armanious: Stone Soup
Melissa Bianca Amore
See all reviews
Cover of Artlink 38:4, featuring Jess Johnson and Simon Ward.
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Cover of Artlink 38:4, featuring Jess Johnson and Simon Ward.