Working in Indigenous Art Centres

Cover of Working in Indigenous Art Centres
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Hazelhurst
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Felicity Wright speaks from long experience, as a worker and as a reviewer of art centres on Aboriginal lands. Her thoughtful article teases out many do's and don'ts in this highly contested field.

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More from this Issue Full Issue Contents

Yiwarra Kuju: The Canning Stock Route
Feature
Sarah Scott

Sarah Scott reviews and questions Yiwarra Kuju: The Canning Stock Route exhibition at the National Musuem of Australa. She asks: "Why don’t the NMA’s collections of Indigenous material culture feature more strongly in their exhibition program? Why are both the NMA and the National Gallery of Australia (NGA) collecting the highly sought after and expensive works produced by major Papunya artists? If the commissioning of art and associated documentary material is a priority for the NMA what other Indigenous material culture may they be neglecting?"

Published June 2011
0.82
Branded: The Indigenous Aesthetic
Feature
Glenn Iseger-Pilkington

I hate the word brand. People have forgotten the importance of sub-culture. We are a community and an intervention.

Ben Watt, Founder, Buzzin’Fly Records

Published June 2011
Victorian Indigenous Art Awards 2011
Feature
Nicholas Bosley

Article on VIAA, Indigenous arts in Victoria – from the VIAA Curator.

Published June 2011
0.67
Denis Nona: Art Terroir-ist
Feature
Simon Wright

Griffith Artworks and Griffith University Art Gallery Director Simon Wright reviews the stellar career in sculpture and printmaking of Torres Strait Islander Denis Nona whose newest commission at the Musée des Confluences in Lyon is eight metres high.

Published June 2011
1.208
Blandowski's Illustrated Encyclopaedia
Feature
John Kean

Freelance curator, honorary associate of Museum Victoria and Blandowski-ite from way back John Kean analyses this prickly Prussian polymath's Illustrated Encyclopedia on Australia at last brought together and to light by the efforts of New Zealander Harry Allen. The book includes contributions by Mark Dugagrist, Brook Andrew, Luise Hercus and Thomas A. Darragh.

Published June 2011
1.362
FELTspace Gold
Review
Peter Drew

FELTspace, 12 Compton St, Adelaide
9 March – 3 April 2011

Published June 2011
1.5
Elcho Island: Morning Star over London
Feature
Jo Higgins

Artlink's UK contributing editor Jo Higgins interviewed Melbourne-born London gallerist Rebecca Hossack about her Indigenous art program and her attempts to raise its profile in London. She has two galleries and each summer for three months both galleries show only Australian Indigenous art in her Songlines series. Recently Elcho Island art featured.

Published June 2011
0.665
Dialogues with Landscape
Review
Paul Uhlmann

Exhibition Co-ordinator: Katie Lenanton
University of Western Australia Cultural Precinct
15 February – 6 March 2011

Published June 2011
New displays at Pitt Rivers Museum
Feature
Susan Lowish

In 2009 eight new case displays were added to the legendary 1884 Pitt Rivers Museum in Oxford. Indigenous art scholar and lecturer Susan Lowish examines how Aboriginal art fared in this rejig of history.

Published June 2011
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Why is there a donkey in that painting?
Feature
Cate Massola

The painting is by Madigan Thomas of her first contact with pastoralists. She painted her family watching – for the first time – whitefellas traverse donkeys through her country.
ANU PHD candiate Cate Massola who worked at Warmun Art Centre for a year describes the way art and education complement each other in Gija country.

Published June 2011
Rewriting the Labels
Editorial
Stephanie Radok

Indigenous culture is moving out of dedicated spaces and into the mainstream. Ultimately all Indigenous culture is claiming the space for experiences that have not been widely told and this broadens the space for the stories of everyone whose stories are untold.

Published June 2011
Tracey Moffatt / Stop(the)Gap /
tall man
Review
Sarah White

Tracey Moffatt: Narratives
Curators: Stephen Zagala, Maria Zagala
Art Gallery of South Australia
26 February - 20 March 2011

Stop (the) Gap: International Indigenous art in motion
Curator: Brenda Croft
Samstag Museum of Art
24 February - 21 April 2011

Vernon Ah Kee: tall man
Australian Experimental Art Foundation
23 February - 26 March 2011

Published June 2011
 
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