To hold and protect: Mulka at Yirrkala

The Mulka Project is a Yolngu archive and production centre incorporating a theatre, media lab, project office, audio video library and museum. “As the Mulka Project is growing up we need to be clear that it is just a resource and the law and culture is coming from the land where people are staying, even where there is no one staying, its patterns, the designs and culture, are coming from the country.” states Djambawa Marawili.

Published June 2011

Artrave

Published June 2011

Ken and Julia Yonetani / Janet Tavener

Still Life: The Food Bowl: Ken and Julia Yonetani
Artereal Gallery, Sydney, June 2011
Mildura Palimpsest #8, 9-11 Sept 2011
GV Art, London, October 2011

Melting moments: Janet Tavener
Incinerator Art Space, Willoughby
2 -27 March 2011

Published June 2011

CoBra and Aboriginal art at AAMU, Utrecht

Newtown fellow at the University of Cambridge Khadija La visited AAMU (the Musuem of Contemporary Aboriginal Art) in Utrecht to see "Breaking with Tradition" an exhibition curated by Georges Petitjean that hangs works by CoBrA artists together with work by Indigenous artists and Roar artists who work or worked in Indigenous art centres.

Published June 2011

Dialogues with Landscape

Exhibition Co-ordinator: Katie Lenanton
University of Western Australia Cultural Precinct
15 February – 6 March 2011

Published June 2011

Euraba Paper Company, Boggabilla

Associate Lecturer at the College of Fine Art in Sydney Tess Allas writes about when she was NSW Regional Indigenous Cultural Officer and first met the women of Boggabilla who formed the Euraba Paper Company which won the Parliament of NSW Aboriginal Art Prize in 2010.

Published June 2011

Aboriginal art at the Vatican

The National Museum of Australia's Margo Neale writes in depth about the curation of a 100 year old collection of Aboriginal art at the Vatican in Rome. She asks: "How do Aboriginal and Torres Strait Islander people, previously captive to the anthropological gaze and to unequal power relations, not only interrogate the histories that defined them as ‘other’ and ‘lesser’, but also regain their voice and agency over historic cultural objects that reside in collections around the world?"

Published June 2011

New displays at Pitt Rivers Museum

In 2009 eight new case displays were added to the legendary 1884 Pitt Rivers Museum in Oxford. Indigenous art scholar and lecturer Susan Lowish examines how Aboriginal art fared in this rejig of history.

Published June 2011

Victorian Indigenous Art Awards 2011

Article on VIAA, Indigenous arts in Victoria – from the VIAA Curator.

Published June 2011

An encounter with the National Galleries

Lecturer in the Australian Indigenous Studies program at the University of Melbourne, Odette Kelada describes her visit to the National Gallery of Australia's new Indigenous galleries and the National Portrait Gallery that is just next door and views them as sites of contemporary Frontier warfare.

Published June 2011

Branded: The Indigenous Aesthetic

I hate the word brand. People have forgotten the importance of sub-culture. We are a community and an intervention.

Ben Watt, Founder, Buzzin’Fly Records

Published June 2011

FELTspace Gold

FELTspace, 12 Compton St, Adelaide
9 March – 3 April 2011

Published June 2011