Remembering Forward at the Museum Ludwig

Cover of Remembering Forward at the Museum Ludwig
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
ACCA
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Artlands 3
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021

Curator at AAMU Georges Petitjean describes the 'Remembering Forward' exhibition at the Museum Ludwig in Cologne in detail, how it came about, what surrounds it and what it might mean.

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Euraba Paper Company, Boggabilla
Feature
Tess Allas

Associate Lecturer at the College of Fine Art in Sydney Tess Allas writes about when she was NSW Regional Indigenous Cultural Officer and first met the women of Boggabilla who formed the Euraba Paper Company which won the Parliament of NSW Aboriginal Art Prize in 2010.

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Rob Lane

The Mulka Project is a Yolngu archive and production centre incorporating a theatre, media lab, project office, audio video library and museum. “As the Mulka Project is growing up we need to be clear that it is just a resource and the law and culture is coming from the land where people are staying, even where there is no one staying, its patterns, the designs and culture, are coming from the country.” states Djambawa Marawili.

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Ulli Beier
Obituary
Thorolf Lipp

Ulli Beier (1922-2011)
I remember a Yoruba saying that Ulli often quoted: “If an old man dies, you shall not weep but congratulate his family for that his life has come full circle.”

Published June 2011
Romantic Landscapes
Feature
Laura Fisher

Laura Fisher worked for three years on indigenous artists' biographies for the DAAO (Dictionary of Australian Artists Online) and is now completing a doctoral thesis on the indigenous art market at the University of NSW. Here she brings her wide knowledge to bear on representational and romantic landcape paintings by indigenous artists.

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Branded: The Indigenous Aesthetic
Feature
Glenn Iseger-Pilkington

I hate the word brand. People have forgotten the importance of sub-culture. We are a community and an intervention.

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Published June 2011
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FELTspace Gold
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Peter Drew

FELTspace, 12 Compton St, Adelaide
9 March – 3 April 2011

Published June 2011
Victorian Indigenous Art Awards 2011
Feature
Nicholas Bosley

Article on VIAA, Indigenous arts in Victoria – from the VIAA Curator.

Published June 2011
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CoBra and Aboriginal art at AAMU, Utrecht
Feature
Khadija La

Newtown fellow at the University of Cambridge Khadija La visited AAMU (the Musuem of Contemporary Aboriginal Art) in Utrecht to see "Breaking with Tradition" an exhibition curated by Georges Petitjean that hangs works by CoBrA artists together with work by Indigenous artists and Roar artists who work or worked in Indigenous art centres.

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Conjure: Zoe Porter
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Carmen Ansaldo

Level Gallery, Brisbane
12 March – 1 April 2011

Published June 2011
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Space Antics: Sue Henderson, David Marsden, Penny Mason
Review
Geoffrey Dobson

Burnie Regional Art Gallery
19 March - 8 May 2011

Published June 2011
Jo Rootsey: Painting Country
Feature
Dina Ibrahim

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Published June 2011
Tracey Moffatt / Stop(the)Gap /
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Review
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Curators: Stephen Zagala, Maria Zagala
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Stop (the) Gap: International Indigenous art in motion
Curator: Brenda Croft
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Guildhouse
Australian Dance Theatre
Ballarat Foto Biennale
ACE Open
MGNSW