Age and Consent: Ella Dreyfus
Disintegration
Adelaide Installations: Adelaide Festival
The Art of Survival
New art systems and the Terminal Garden
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Perth International Crafts Triennial: A coup for the West
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David Mach sculpture at Spoleto in Melbourne
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Personal Ads: Drop in a sniplet (and kiss Nine's ads)
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Third Australian Video Festival: A concerned underview
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Art and Technology: Towards a New Culture?
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Three Melbourne exhibitions: Sculpture
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2 Fe Pb: Andrae, Avison & Brennan in Adelaide
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Delicate Technology: Andrew Petrusevics goes to Japan
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Freelance Curators Workshop at the AMAA Conference in Melbourne
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Money is No Object: Recent work by Helen Grace
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The Collaborationists: Performance art
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Alphaville: A city in amnesia by Madlove
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Not what you'd call a good paint job
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The Collaborative Print in Western Australia
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Two architectural conferences
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Gestures: A film for the Deaf by Sue Richter
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Museums and Galleries: A Practical Legal Guide
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Stories in a parcel: The Prospective exhibition and book
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Moet & Chandon touring exhibition: College Gallery
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Ann Newmarch: One Aspect
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Violence and nastiness: Machinehead
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Culture and the critical fan: It's a Sin
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How should we write our history? The Necessity of Australian Art
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Picturing Australia: A history of Photography
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It was a slow journey back: Colour photocopies by Paul Hewson and Linda Marie Walker
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The art of Melanie Howard
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South Australian Women Photographers
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Island in the Stream: Myths of place in Australia culture
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The art of video: Home and abroad
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Randelli re-versions: The Australian abyme of tele-nostalgia
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The Third Australian Video Festival: The awards
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Grand impressions: Creating Australia: 200 Years of Art 1788-1988
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Recent Aboriginal Painting
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Teasing history: Ian North's Pseudo Panoramas
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Zen and frottage: Masao Okabe Noosa Gallery
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Confounding prejudice: Paul Saint's Goodbye to All That
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Visiting sculptures: Barossa International Sculpture Symposium
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Lasting Impressions: Lithography as Art
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Remaking hi(s)story: Narelle Jubelin's recent work
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Boop, robots and quay: Quik Draws
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Immersed in fiction: Cactus
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Larger patterns: A Bitter Song
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Hovering between private and public: Elizabeth Gertsakis' Innocent Reading for Origin
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Looby tunes: Humphrey McQueen's Suburbs of the Sacred
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Collaborating in public: Spirit and Space
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Moral truths through music: South of the Border
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Commodified media: Right Here, Right Now
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In and out of Frame
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Conversing in Italian: Self Memory and Desire
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Let's hear it for the audience
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South Australia rephotographed: Sweet and Gall through broken glass
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Brian Eno: Driving me backwards
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Anti TV: Installations by Bill Viola
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Art and technology update
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Praxis in the littoral zone
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The whacky guest at the party waits for a cake: Performance at ARX
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Australian Video Festival reviewed: Images of today and tomorrow
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Women in the Media: Computer technology
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Presenting the contradictions: Where the Serpent Struggles and Humdrum on the Highway
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The spiral path: Fiona Hall
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Sculptural swings and aesthetic roundabouts: The Third Australian Sculpture Triennial
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There's more than one way to re-invent the wheel: Woop Woop
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More choices: Makers' Choice
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UTLC banner exhibition
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