Contributors
David Broker
David Broker is Director of the Canberra Contemporary Art Space
Articles
The art of Melanie Howard
Artlink 9:1
Immersed in fiction: Cactus
Artlink 8:3
The spiral path: Fiona Hall
Artlink 7:4
Video music, video art, video culture
Art & Technology
Looking beyond the surface: In Full View
Artlink 7:1
For those in peril on the sea: Journeys
Artlink 6:5
Making and breaking picture codes: Seasons and Pseudo Panoramas
Artlink 6:5
The photographic canvas
Art and Technology
Decay and decadence: A difference
Art and Technology
The Centre: Works on Paper
Artists Week Forums 1984
The Ideal Photograph
Artlink 2:5
Memoirs of a Videophile: Video Cannibalism, A Personal View
In this article David Broker looks selectively at the brief history and development of video art, a trying medium voluntarily lost to him around 1985. Broker uses three examples of the video grande- Francesco Vezzolis Comizi di Non Amore, Emmanuelle Antilles Angels Camp and a work by Miguel Calderon featured in the 2004 Sao Paulo Biennale. Each work exists in its own way as a continuum upon which the trajectory of the technologies they have absorbed is not only clear but also fundamental to the work. As Broker declares the video revival has in itself been a spectacle, with digital video driving its acolytes to ever-greater heights of excess.
Screen Deep
No access, Terry Summers Head-on, Kim Demuth Full stop, Sam Sexton
Soapbox Gallery, Brisbane 1-27 June 2001
E-volution of New Media
Belinda Giddins, Mandy Ridley and Sandra Selig
Exhibition review Belinda Giddins, Mandy Ridley, Sandra Selig
Parlour Metro Art,
Brisbane Queensland
Emerging Artists