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Contributors
Issues
![Issue 33:1 | March 2013 | This Asian Century Issue 33:1 | March 2013 | This Asian Century](/images/issues/3310_600w.jpg)
![Issue 30:3 | September 2010 | Art in the Public Arena Issue 30:3 | September 2010 | Art in the Public Arena](/images/issues/3030_600w.jpg)
![Issue 29:2 | June 2009 | After the Missionaries Issue 29:2 | June 2009 | After the Missionaries](/images/issues/2920_600w.jpg)
![Issue 28:4 | December 2008 | Curating : Creating Issue 28:4 | December 2008 | Curating : Creating](/images/issues/2840_600w.jpg)
Articles
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National Portrait Gallery, Canberra
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17 November 2012 – 20 January 2013
Curators, Erin Coates, Kathleen Sorensen and Gabrielle Sullivan
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Tasmanian School of Art, University of Tasmania
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Australian Experimental Art Foundation
Adelaide
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Vale Shaw Hendry (1963-2010) The image on the front of the catalogue said it all – Hermano Rojo, ukulele in hand, bowing to his audience.
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This article explores new territory opened up by a cross-cultural collaboration between Indigenous poet Jim Everett and visual artist Jonathan Kimberley.
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Timothy Morrell provides the reader with a keen description in relation to the role that the art organisation NAVA (National Association for the Visual Arts) has within Australia's government but also the empowerment they claim to provide practicing artists. Morrell also includes some insight towards the rights of the common artworker by presenting some examples as to where they stand within Australian society but also how they operate in co-relation with the governments guidelines and in particular the controversial portrayal of nudity in art. A conclusive article articulating the importance of government organisations such as NAVA, Morrell provides an insightful discussion towards the role of the artist within Australian society but also the co-operation needed from the government to enable a sufficient means of expression from artists.