Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
spill, the insistent body Caitlin Yardley 6 March – Sunday 12 April 2009 Heathcote Museum and Gallery, WA
Published June 2009
A Secret Life of Plants Curator: Andrew Gaynor Linden Centre for Contemporary Arts 4 April – 17 May 2009 Fremantle Arts Centre 30 May – 19 July 2009
Gosia Wlodarczak: Conversation Helen Maxwell Gallery, ACT 22 February – 28 March 2009
*(jelek means ugly in Indonesian) Artist Ruth Hadlow lives and works in East Timor. Her thoughts about it question notions of beauty and ugliness.
Neil Fettling asks; 'Why does an Australian-based artist like David Griggs, living and working in the first world, have such strong connections with a third world community, and how do these linkages affect his work?' and answers this question through an analysis of Griggs' recent art as well as comparing it to the work of Pat Hoffie and Wim Delvoye.
Artist Kylie Waters works with the history of her own family and the way it is embedded in South Australian history. Specifically she explores the space between negative and positive evaluations of Lutheran missions in Central and South Australia.
Little Red Riding Hood Curator: Victor Medrano Inflight ARI, Hobart 11 April - 2 May 2009
Paul Zika: Home and Away – reconstructing artifice Curator: Philip Watkins Carnegie Gallery, Hobart 26 March – 3 May 2009
The enchanted forest: new gothic storytellers Curator: Jazmina Cininas Geelong Gallery, 12 April - 9 June 2008; Bendigo Art Gallery, 19 July – 17 August 2008; Shepparton Art Gallery, 1 November – 14 December 2008; Latrobe Regional Gallery, 21 February – 19 April 2009; Swan Hill Regional Art Gallery, 1 May – 7 June 2009; Dubbo Regional Gallery , 4 July – 13 September 2009; Tweed River Art Gallery, 1 October – 15 November 2009
On a residency at the Taipei Artists Village in Taiwan in 2007 Gregory Pryor researched a plant from which tongcao or pith paper was traditionally made. The complex collaborative journey to find the plant and the way its pith is removed forms a celebratory echo to his previous work Black Solander 2005 about endangered plants in Western Australia.
