Published 01 September 2018
Coby Edgar interviews Warren Roberts, CEO of YARN Australia
Published June 2018
Published 01 June 2018
Published September 2010
The Glenorchy Art & Sculpture Park (GASP!) project on the outskirts of Hobart
is under construction just two kilometres from Australia’s largest private freely accessible art gallery the Museum of Old and New Art (MONA), opening in January 2011.
Kate Warren examines Melbourne's laneways and the many way artists have used them to re-energise and re-familiarise local audiences with their urban environment. Artists mentioned are Sarah Rodigari and Tim Webster, Troy Innocent, Matt Blackwood, John Alexander Borley, Anthony McInneny, Sue McCauley and Keith Deverell, and QingLan Huang.
In Antony Gormley’s living portrait 'One and Other' for 100 days, from 6 July to 14 October 2009, 2400 randomly selected, otherwise unextraordinary, individuals continuously occupied the empty plinth in Trafalgar Square for an hour at a time.
CDU Art Gallery, Darwin
11 August -17 September 2010
Curator: Maud Page
Foyer Cabinet, GOMA, Brisbane
1 May - 4 July 2010
Elizabeth Woods' art practice has for many years revolved around the relationship between place, artist and community and what arises from their connection to each other. Marrying a tree is its latest manifestation.
'Craig Walsh Digital Odyssey' is a national touring Project presented by the Museum of Contemporary Art in association with the artist.
With his partner artist Hiromi Tango Walsh is also making complementary collaborative works called 'The Home Project".
Vale Shaw Hendry (1963-2010)
The image on the front of the catalogue said it all – Hermano Rojo, ukulele in hand, bowing to his audience.
Juliette Peers interviews Mary Lou Pavlovic Mary Lou Pavlovic to find out how one becomes a de facto public institution?
MLP: Just do it. Don’t worry so much about acceptance into a very institutionalised dysfunctional system...Worry about being creative and alive on your own terms. Put yourself in any exhibition you feel you should be in. You may not get the institutional rewards but lets face it – they ain’t that great here in Aussie land anyway.
Perth Institute of Contemporary Arts (PICA)
25 June – 26 August 2010