Dealing with the Past: The ARC Biennial

Cover of Dealing with the Past: The ARC Biennial
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
ACMI
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Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
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The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
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Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
NAVA
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The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
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Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018
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Pacific Jewellery
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Jacqui Durrant

Curator: Maud Page
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The Fourth Plinth
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In Antony Gormley’s living portrait 'One and Other' for 100 days, from 6 July to 14 October 2009, 2400 randomly selected, otherwise unextraordinary, individuals continuously occupied the empty plinth in Trafalgar Square for an hour at a time.

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Strangers and the Slow Laneway Experience
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Kate Warren

Kate Warren examines Melbourne's laneways and the many way artists have used them to re-energise and re-familiarise local audiences with their urban environment. Artists mentioned are Sarah Rodigari and Tim Webster, Troy Innocent, Matt Blackwood, John Alexander Borley, Anthony McInneny, Sue McCauley and Keith Deverell, and QingLan Huang.

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The Meandering River: Slowing Down and Keeping Going
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Stephanie Britton

The notion of public art has been shifting over the years to include hopeful new models for change in a time of uncertainty - festivals, the temporal, the long term developmental and experimental thinking about how art can modify and influence the public realm.

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Torches in the Night: The Odyssey of Craig Walsh
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Annemarie Kohn

'Craig Walsh Digital Odyssey' is a national touring Project presented by the Museum of Contemporary Art in association with the artist.
www.digitalodyssey.com.au
With his partner artist Hiromi Tango Walsh is also making complementary collaborative works called 'The Home Project".

Published September 2010
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Wallpaper
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Nien Schwarz

Linda Banazis, Penny Bovell, P. James Bryans, Susanna Castleden, Sue Codee, Cat Critch, Rebecca Dagnall, Jo Darbyshire, Mark Datodi, Annabel Dixon, Anna Dunnill, Eva Fernandez, Brendan Hibbert, Harry Hummerston, Little Design Horse, Clare McFarlane, Trevor6025/Emma McPike, Toogarr Morrison, Philippa Nikulinsky, Perdita Phillips, Gregory Pryor, Alex Spremberg, Marzena Topka, David Turley, Paul Uhlmann, Caitlin Yardley.

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17th Biennale of Sydney, The Beauty of Distance: Songs of Survival in a Precarious Age
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Stephanie Radok

17th Biennale of Sydney
The Beauty of Distance: songs of survival in a precarious age
Curator: David Elliott

MCA, Cockatoo Island, Botanic Gardens, Artspace, AGNSW, Opera House, Pier 2/3

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Was Drau - En Wartet/What is Waiting Out There: 6th Berlin Biennale for Contemporary Art
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Joanna Mendelssohn

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Green: Richard Giblett, David Haines, Colin Langridge, Lucy Bleach, Roman Signer, Bec Stevens, Richard Wastell, Semiconductor (Ruth Jarman + Joe Gerhardt)
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Judith Abell

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Echigo-Tsumari: Public Art as Regenerating Force
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Janet Maughan

Janet Maughan travelled to the Echigo-Tsumari Triennial in September 2009. With Stephanie Britton she interviewed the indefatigable Fram Kitagawa, Director of both the Echigo-Tsumari Art Triennial [ETAT] and of the new Niigata Water and Land Art Festival in the seaport of Niigata, and wove his words around the experience of seeing outstanding art in the unusual and delightful surroundings of the Japanese countryside.

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Melbourne >< Brisbane: Punk, Art and After
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