Published 01 March 2019
Published 01 December 2018
The notion of public art has been shifting over the years to include hopeful new models for change in a time of uncertainty - festivals, the temporal, the long term developmental and experimental thinking about how art can modify and influence the public realm.
Published September 2010
A Tradigital Survey
Curators: Kirsten Rann, Gina Kalabishis
Level 17 Artspace, 300 Flinders St, Victoria University, Melbourne
29 June – 16 July 2010
Vale Shaw Hendry (1963-2010)
The image on the front of the catalogue said it all – Hermano Rojo, ukulele in hand, bowing to his audience.
Linda Banazis, Penny Bovell, P. James Bryans, Susanna Castleden, Sue Codee, Cat Critch, Rebecca Dagnall, Jo Darbyshire, Mark Datodi, Annabel Dixon, Anna Dunnill, Eva Fernandez, Brendan Hibbert, Harry Hummerston, Little Design Horse, Clare McFarlane, Trevor6025/Emma McPike, Toogarr Morrison, Philippa Nikulinsky, Perdita Phillips, Gregory Pryor, Alex Spremberg, Marzena Topka, David Turley, Paul Uhlmann, Caitlin Yardley.
Curators: Thelma John, P. James Bryans
Central Institute of Technology, Perth
12 - 31 July 2010
Elizabeth Woods' art practice has for many years revolved around the relationship between place, artist and community and what arises from their connection to each other. Marrying a tree is its latest manifestation.
Curator and cultural visionary Kevin Murray asks what happened to Southern Cross Station, once Spencer Street Station now lost under a morass of advertising. Where is the public art?
New Zealand sculptor Virginia King is an artist who has long recognised the changing nature of public art and the part it can play in raising awareness and social conscience.
CDU Art Gallery, Darwin
11 August -17 September 2010
Curator: Kathrin Rhomberg
11 June - 8 August 2010
Public artworks surrounding the Regional Arts Australia National Conference and Festival held in Launceston in August 2010 set the cat among the pigeons.