Published 01 June 2020
Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
Janet Maughan travelled to the Echigo-Tsumari Triennial in September 2009. With Stephanie Britton she interviewed the indefatigable Fram Kitagawa, Director of both the Echigo-Tsumari Art Triennial [ETAT] and of the new Niigata Water and Land Art Festival in the seaport of Niigata, and wove his words around the experience of seeing outstanding art in the unusual and delightful surroundings of the Japanese countryside.
Published September 2010
Curator: Mat Ward
June 5 – 26 2010
INFLIGHT Gallery, Hobart
17th Biennale of Sydney
The Beauty of Distance: songs of survival in a precarious age
Curator: David Elliott
MCA, Cockatoo Island, Botanic Gardens, Artspace, AGNSW, Opera House, Pier 2/3
12 May – 1 August 2010
Curator: Kathrin Rhomberg
11 June - 8 August 2010
Elizabeth Woods' art practice has for many years revolved around the relationship between place, artist and community and what arises from their connection to each other. Marrying a tree is its latest manifestation.
The Glenorchy Art & Sculpture Park (GASP!) project on the outskirts of Hobart
is under construction just two kilometres from Australia’s largest private freely accessible art gallery the Museum of Old and New Art (MONA), opening in January 2011.
Curators: Geoff Parr, Lucy Bleach, Bec Stevens
Plimsoll Gallery, Hobart
16 April – 14 May 2010
A Tradigital Survey
Curators: Kirsten Rann, Gina Kalabishis
Level 17 Artspace, 300 Flinders St, Victoria University, Melbourne
29 June – 16 July 2010
Public artworks surrounding the Regional Arts Australia National Conference and Festival held in Launceston in August 2010 set the cat among the pigeons.
Next Wave: No Risk Too Great, directed by Jeff Khan, took place in Melbourne from 13 – 30 May 2010.
Curator: Maud Page
Foyer Cabinet, GOMA, Brisbane
1 May - 4 July 2010