Published 01 September 2018
Coby Edgar interviews Warren Roberts, CEO of YARN Australia
Published June 2018
Published 01 June 2018
Janet Maughan travelled to the Echigo-Tsumari Triennial in September 2009. With Stephanie Britton she interviewed the indefatigable Fram Kitagawa, Director of both the Echigo-Tsumari Art Triennial [ETAT] and of the new Niigata Water and Land Art Festival in the seaport of Niigata, and wove his words around the experience of seeing outstanding art in the unusual and delightful surroundings of the Japanese countryside.
Published September 2010
The notion of public art has been shifting over the years to include hopeful new models for change in a time of uncertainty - festivals, the temporal, the long term developmental and experimental thinking about how art can modify and influence the public realm.
Curator: Maud Page
Foyer Cabinet, GOMA, Brisbane
1 May - 4 July 2010
The Glenorchy Art & Sculpture Park (GASP!) project on the outskirts of Hobart
is under construction just two kilometres from Australia’s largest private freely accessible art gallery the Museum of Old and New Art (MONA), opening in January 2011.
Elizabeth Woods' art practice has for many years revolved around the relationship between place, artist and community and what arises from their connection to each other. Marrying a tree is its latest manifestation.
Next Wave: No Risk Too Great, directed by Jeff Khan, took place in Melbourne from 13 – 30 May 2010.
Public artworks surrounding the Regional Arts Australia National Conference and Festival held in Launceston in August 2010 set the cat among the pigeons.
CDU Art Gallery, Darwin
11 August -17 September 2010
Curator: Domenico de Clario
Australian Experimental Art Foundation, Queen’s Theatre, Mercury Cinema, Botanic Gardens, Adelaide
28 May – 26 June 2010
Turner Prize-winning artist Steve McQueen’s recent work 'Queen and Country' (2003-2010) overwhelmingly embodies the complexities and possibilities for memorial-making and public art today.