Australian artists on Asia

Cover of Australian artists on Asia
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Subs Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
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1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Australian artists Megan Keating, Craig Walsh, Emily Floyd, Guan Wei, Megan Kirwan-Ward, Jayne Dyer, Pat Hoffie, Dadang Christanto, John Young Zerunge, Charles Green, Fiona Hall, Danius Kesminas, Isabel and Alfredo Aquilizan, Robin Best and Jon Cattapan comment on their rich engagements with Asia over many years.

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More from this Issue Full Issue Contents

1.224
Tiwi: Art/History/Culture
Book Review
James Bennett

Jennifer Isaacs
Miegunyah Press, Melbourne

Published March 2013
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Contemporary art in Indonesia 1990 - 2010
Feature
Jim Supangkat

Jim Supangkat is an independent curator based in Jakarta. He reviews the often controversial ebbing and flowing of last twenty years of contemporary art in Indonesia. He writes: "Contemporary art in Indonesia reflects its progenitor, global contemporary art: it was celebrated in international biennials in the 1990s, and controlled by the art market in the 2000s. These signs led to the question: “what’s next?” Most likely the answer will be efforts to understand global art."

Published March 2013
The Flow Under the Flat
Feature
Atsushi Sugita

Atsushi Sugita is an art critic and Professor of Art and Design at Joshibi University in Japan. He writes about trends in Japanese contemporary art since the 1990s focusing on engagements with local communities and versions of relational aesthetics.

Published March 2013
Thoughts on art and institutions in Asia
Feature
Kwok Kian Chow

Kwok Kian Chow was the Founding Director of the National Art Gallery, Singapore to which he is currently the Senior Advisor. His penetrating reflections on art and institutions in Asia explicate the complex contradictions of "the need for a contemporaneity that draws from local cultural history, and yet is concurrently a critical engagement with prevailing art world discourses."

Published March 2013
1.126
Staking out the globe: Indian art now
Feature
Chaitanya Sambrani

Published 01 March 2013
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Editorial: Swimming with the current
Editorial
Alison Carroll

Published 01 March 2013
Islam and the visual arts in Indonesia and Malaysia
Feature
Virginia Hooker

Virginia Hooker is Professor Emeritus and Fellow at the Australian National University’s College of Asia & the Pacific. She describes in some detail the work and work practices of A.D. Pirous, Sulaiman Esa, Khatijah Sanusi and Didin Sirojuddin AR, four artists who self-consciously make Muslim art.

Published March 2013
0.562857142857
We don't need a map: a Martu experience of the Western Desert

17 November 2012 – 20 January 2013

Review
Darren Jorgensen

Curators: Erin Coates, Kathleen Sorensen and Gabrielle Sullivan
Fremantle Arts Centre 

Published March 2013
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The Beginning of the End: Claire Marsh and Fiona Roberts

Adelaide 12 October – 2 November 2012

Review
Stephanie Lyall

Curator: Adele Sliuzas
Format Gallery

Published 01 March 2013
1.126
Peter Tyndall Survey

Sydney 21 November – 5 December 2012

Review
Prue Gibson

Curator: Doug Hall
Anna Schwartz Gallery

Published March 2013
1.382
Exhibitions to watch
Artlink

Published March 2013
Esse est percipi: art media, criticism and the need for a digital criticism archive in East Asia
Feature
Tetsuya Ozaki

Published 01 March 2013
 
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