Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
Next Wave: No Risk Too Great, directed by Jeff Khan, took place in Melbourne from 13 – 30 May 2010.
Published September 2010
In Antony Gormley’s living portrait 'One and Other' for 100 days, from 6 July to 14 October 2009, 2400 randomly selected, otherwise unextraordinary, individuals continuously occupied the empty plinth in Trafalgar Square for an hour at a time.
Curator: David Elliott
MCA, Cockatoo Island, Botanic Gardens Artspace, AGNSW, Pier 2/3, Opera House
12 May – 1 August 2010
Perth Institute of Contemporary Arts (PICA)
25 June – 26 August 2010
Kate Warren examines Melbourne's laneways and the many way artists have used them to re-energise and re-familiarise local audiences with their urban environment. Artists mentioned are Sarah Rodigari and Tim Webster, Troy Innocent, Matt Blackwood, John Alexander Borley, Anthony McInneny, Sue McCauley and Keith Deverell, and QingLan Huang.
Turner Prize-winning artist Steve McQueen’s recent work 'Queen and Country' (2003-2010) overwhelmingly embodies the complexities and possibilities for memorial-making and public art today.
Janet Maughan travelled to the Echigo-Tsumari Triennial in September 2009. With Stephanie Britton she interviewed the indefatigable Fram Kitagawa, Director of both the Echigo-Tsumari Art Triennial [ETAT] and of the new Niigata Water and Land Art Festival in the seaport of Niigata, and wove his words around the experience of seeing outstanding art in the unusual and delightful surroundings of the Japanese countryside.
Curator: Domenico de Clario
Australian Experimental Art Foundation, Queen’s Theatre, Mercury Cinema, Botanic Gardens, Adelaide
28 May – 26 June 2010
Vale Shaw Hendry (1963-2010)
The image on the front of the catalogue said it all – Hermano Rojo, ukulele in hand, bowing to his audience.
Curators: Keith Giles, Ali Baker and Yoko Kajio
SASA Gallery, Adelaide
6 April - 7 May 2010
Juliette Peers interviews Mary Lou Pavlovic Mary Lou Pavlovic to find out how one becomes a de facto public institution?
MLP: Just do it. Don’t worry so much about acceptance into a very institutionalised dysfunctional system...Worry about being creative and alive on your own terms. Put yourself in any exhibition you feel you should be in. You may not get the institutional rewards but lets face it – they ain’t that great here in Aussie land anyway.