Published 01 June 2014
Published March 2014
Published December 2013
Published 01 September 2013
Published June 2013
Published March 2013
Published September 2012
The Glenorchy Art & Sculpture Park (GASP!) project on the outskirts of Hobart is under construction just two kilometres from Australia’s largest private freely accessible art gallery the Museum of Old and New Art (MONA), opening in January 2011.
Published September 2010
Perth Institute of Contemporary Arts (PICA) 25 June – 26 August 2010
Next Wave: No Risk Too Great, directed by Jeff Khan, took place in Melbourne from 13 – 30 May 2010.
Curator: Domenico de Clario Australian Experimental Art Foundation, Queen’s Theatre, Mercury Cinema, Botanic Gardens, Adelaide 28 May – 26 June 2010
Curator: Maud Page Foyer Cabinet, GOMA, Brisbane 1 May - 4 July 2010
Janet Maughan travelled to the Echigo-Tsumari Triennial in September 2009. With Stephanie Britton she interviewed the indefatigable Fram Kitagawa, Director of both the Echigo-Tsumari Art Triennial [ETAT] and of the new Niigata Water and Land Art Festival in the seaport of Niigata, and wove his words around the experience of seeing outstanding art in the unusual and delightful surroundings of the Japanese countryside.
The notion of public art has been shifting over the years to include hopeful new models for change in a time of uncertainty - festivals, the temporal, the long term developmental and experimental thinking about how art can modify and influence the public realm.
A Tradigital Survey Curators: Kirsten Rann, Gina Kalabishis Level 17 Artspace, 300 Flinders St, Victoria University, Melbourne 29 June – 16 July 2010
Curators: Geoff Parr, Lucy Bleach, Bec Stevens Plimsoll Gallery, Hobart 16 April – 14 May 2010
Curator: Kathrin Rhomberg 11 June - 8 August 2010
17th Biennale of Sydney The Beauty of Distance: songs of survival in a precarious age Curator: David Elliott MCA, Cockatoo Island, Botanic Gardens, Artspace, AGNSW, Opera House, Pier 2/3 12 May – 1 August 2010
Turner Prize-winning artist Steve McQueen’s recent work 'Queen and Country' (2003-2010) overwhelmingly embodies the complexities and possibilities for memorial-making and public art today.
