On a residency at the Taipei Artists Village in Taiwan in 2007 Gregory Pryor researched a plant from which tongcao or pith paper was traditionally made. The complex collaborative journey to find the plant and the way its pith is removed forms a celebratory echo to his previous work Black Solander 2005 about endangered plants in Western Australia.
The Long March Project founded by Lu Jie is an ongoing art project that began with a philosophical evaluation of the complex role and meaning of art and selfhood, in all its political, economic, cultural, and social guises. It is critical that new opportunities are found for artistic reciprocity that exist beyond the presumed centres of art validation (ie. America and Europe). The Long March directs the gaze of Chinese cultural producers to re-assess how art can be a tool through which ideas of making – self, thought, object – can be critically empowered and conceived.
A number of practising artists were invited to respond to a scenario in which a local council asked them to organise an exhibition featuring local artists from a sister city in a third world country. It seems a noble gesture, but one fraught with potential missteps. How would they proceed?
The enchanted forest: new gothic storytellers Curator: Jazmina Cininas Geelong Gallery, 12 April - 9 June 2008; Bendigo Art Gallery, 19 July – 17 August 2008; Shepparton Art Gallery, 1 November – 14 December 2008; Latrobe Regional Gallery, 21 February – 19 April 2009; Swan Hill Regional Art Gallery, 1 May – 7 June 2009; Dubbo Regional Gallery , 4 July – 13 September 2009; Tweed River Art Gallery, 1 October – 15 November 2009
Artists who have created fascinating works within the DMZ (Korean Demilitarized Zones) include the Spanish artist Santiago Sierra, the Italian artist Armin Linke and the Australian artist Lyndal Jones.