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Contributors

Artlink

Alexandra Heller-Nicholas

Daniel Mudie Cunningham

Issues

Fashion. Performance. Industry.

Issue 41:1 | April 2021

Biopic

Issue 40:4 | December 2020

Indigenous: Blackground

Issue 34:2 | June 2014

Sexing the Agenda

Issue 33:3 | September 2013

Indigenous: Indignation

Issue 32:2 | June 2012

Curating : Creating

Issue 28:4 | December 2008

Elders: The Old Magic

Issue 26:4 | December 2006

Currents II

Issue 26:3 | September 2006

Critical Mass: The New Brisbane

Issue 23:2 | June 2003

The Improved Body

Issue 22:1 | March 2002

Best Practice: Export Quality

Issue 21:4 | December 2001

Men's Business: Masculinities Reflected

Issue 16:1 | March 1996

Articles

Know My Name: Australian Women Artists 1900 to Now: An Historical Context

Anne Marsh

Editorial: Fashion. Performance. Industry.

Ann Finegan

What is Transorientalism?

Adam Geczy

Walkabout style: Dreams and visions of Indigenous fashion

Tristen Harwood

#IMadeMyClothes: The Ethics and Practices of Home Dressmaking

Madeleine C. Seys

Green Plastics – Blue Ocean: The future of biopolymer plastics and textiles

Niki Sperou

The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration

Belinda Cook

Sarah Rodigari: Redressing the vernacular

Abigail Moncrieff

From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes

Ann Finegan

On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt

Jan Griffiths, Peggy Griffiths and Alana Hunt

Cigdem Ayedemir

Sumaiya Muyeen

Michaela Stark: On Control and Beauty

Alison Kubler

Michaela Gleave's Cosmic Time | Apprehending the Multiverse: A Costumed Allegory for Four Percussionists

Ann Finegan

Melanie Jame Wolf’s Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image

Daniel Mudie Cunningham

Site & Sound: Sonic art as ecological practice

Saskia Beudel

Editorial: Biopic

Eve Sullivan

The artist biopic: Works without authors

Adrian Martin

Anti-biopics: Women’s life stories in film and art

Alexandra Heller-Nicholas

Amos Gebhardt: Small acts of resistance

Anne O'Hehir

Hayley Millar-Baker: I will survive

Claire G. Coleman

James Newitt: Working with the trouble

Sasha Grbich

Adam Cullen: Acute misanthropy

Wes Hill

Meg Porteous: Dissociative bodies

Amy Weng

Archie Barry: Entangled listening

Jacqui Shelton

Butcher Joe’s multiple world Stephen Muecke

Stephen Muecke

Looking on, listening in: Wendelien van Oldenborgh’s Bete & Deise

John Mateer

Braddon Snape: Internal pressures

Faye Neilson

Regrette Etcetera: Werq the runway darling!

What drones taught me about being a better tranny ...

Rachael Sweting

19th Biennale of Sydney: You Imagine What You Desire

Cockatoo Island, Museum of Contemporary Art, Art Gallery of New South Wales, Carriageworks, Artspace.
21 March – 9 June 2014

Joanna Mendelssohn

Beautiful Vermin

Perdita Phillips

Dark Heart: The 2014 Adelaide Biennial of Australian Art

Polly Dance

Exotic Lies Sacred Ties: Danie Mellor

Glenn Barry

Ghostscapes: Sera Waters

Sara White

Grid Festival

Caitlin Eyre

No Place (Like Home)

Blair Coffey

Old Masters: Australia’s Great Bark Artists

National Museum of Australia, Canberra 6 December - 20 July 2014

Sarah Scott

Picasso’s Women

Juliette Peers

Pixels+Fibre

Northern Territory Centre for Contemporary Art, Darwin 21 March – 19 April 2014

Margaret West

safARI 2014

Alaska Projects, Kings Cross Cross Art Projects, Kings Cross Wellington St Projects, Chippendale The Corner Cooperative, Chippendale DNA Projects, Chippendale Museum and St James Stations, CBD 14 March – 4 April 2014

Jo Higgins

Sculpture by the Sea

Cottesloe, Western Australia 7 – 24 March 2014

Laetitia Wilson

The Skullbone Experiment: A Paradigm of Art and Nature

Queen Victoria Museum and Art Gallery, Inveresk, Launceston 15 March – 18 May 2014 Galleries UNSW/COFA, Sydney 18 July – 30 August 2014

Jane Deeth

Stuart Ringholt: Kraft

Monash University Museum of Art Curators: Charlotte Day and Robert Leonard 14 February – 17 April 2014

Sophie Knezic

Editorial: Truth is better than fiction

Carly Lane

Editorial: Memory, identity and habit

Glenn Iseger-Pilkington

Aboriginal performance art: How bizarre!

Djon Mundine

Cultural apartheid and the Superhighway across the Sky

Jenny Fraser

Douglas Watkin: Alternative blackfella

Bruce McLean

Yhonnie Scarce: A lens and a mirror

Daniel Browning

All that swagger and not a sorry in sight

Dianne Jones

Yinimala Gumana: It comes from the spirit of the land

Will Stubbs

Culture is present in everything we do

Kimberley Moulton

Reason and fancy in the art of Brian Robinson

Clotilde Bullen

Reflecting times: The art of the precursors

Wally Caruana

Moments of intersection: James Tylor

Eleanor Scicchitano

Sharyn Egan: The hidden past

Thelma John

The everyday through my eyes: Christine Multa

Chrischona Schmidt

Tjungu (together): Derek Thompson and Tjimpuna Williams in China

Genevieve O'Callaghan

Yuwa walkumunu telephonepa-lampatju yarlarringu (hello, I’ve got a mobile phone)

Emilia Galatis

Kinship: Exhibition, symposium, marketplace

George Dann

Pathways to art in Aboriginal Tasmania

Lola Greeno

Fair exchange: The rise of the Aboriginal and Torres Strait Islander art fairs

Tod Jones and Tim Acker

The Dealer is The Devil : An Insider's History of the Aboriginal Art Trade

Stephanie Radok

The Flash of Recognition: Photography and the Emergence of Indigenous Rights

Artist and curator Troy-Anthony Baylis reviews Jane Lydon's book The Flash of Recognition: and regards it as a "crucial text for visual communication, media, film, and photography scholars, who will learn to be more analytical of how images, particularly images of Aboriginal people, have been constructed through journalism, activism, and art."

Troy-Anthony Baylis

The new Indigenous galleries at the NGA: four years on

Kelli Cole

Poetics and politics

On the First Peoples exhibition in the Bunjilaka Gallery at Museum Victoria

Andrea Witcomb

A life between two worlds: Woollarawarre Bennelong of the Wangal

Tahjee Moar

Aboriginal art at the Royal Academy in 2013

Ian McLean

Our Mob: Art by South Australian Aboriginal artists

Maggie Fletcher

Territory style: Salon des Refusés

Yanuwa/Larrakia/Bardi/Wardaman woman Franchesca Cubillo, Senior Curator/Advisor National Gallery of Australia, writes about the first Salon des Refusés (conceived and brought to fruition by gallerists Matt Ward and Paul Johnstone) held in Darwin in 2013 as a pendant to the National Aboriginal and Torres Strait Islander Art Awards.

Franchesca Cubillo