Josiah Omeenyo Back to my homeland 2012, acrylic on canvas, 60 x 146 cm. Photo: Michael Marzik. Courtesy of the Indigenous Art Centre Alliance (IACA).

Kinship: Exhibition, symposium, marketplace

Cover of Kinship: Exhibition, symposium, marketplace
0.562
Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
0.8
Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
0.8
In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
NAVA
0.8
The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
0.8
Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
0.8
Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
ACE Open
0.8
Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
0.8
A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022
Buy   or   Subscribe

Card image (detail): Edna Ambrym Eclipse over Yarrie 2012, linocut on paper, 28 x 38.5 cm. Photo: Michael Marzik, Courtesy of the Indigenous Art Centre Alliance (IACA).

Share on Facebook Share on Twitter

More from this Issue Full Issue Contents

0.56
Pixels+Fibre
Review
Margaret West

Northern Territory Centre for Contemporary Art, Darwin 21 March – 19 April 2014

Published 01 June 2014
1.498
Artrave
Artrave
Stephanie Britton

Published 01 June 2014
safARI 2014
Review
Jo Higgins

Alaska Projects, Kings Cross Cross Art Projects, Kings Cross Wellington St Projects, Chippendale The Corner Cooperative, Chippendale DNA Projects, Chippendale Museum and St James Stations, CBD 14 March – 4 April 2014

Published 01 June 2014
0.69
Poetics and politics
Feature
Andrea Witcomb

On the First Peoples exhibition in the Bunjilaka Gallery at Museum Victoria

Published 01 June 2014
1.006666666667
The Skullbone Experiment: A Paradigm of Art and Nature
Review
Jane Deeth

Queen Victoria Museum and Art Gallery, Inveresk, Launceston 15 March – 18 May 2014 Galleries UNSW/COFA, Sydney 18 July – 30 August 2014

Published 01 June 2014
1.186
Sharyn Egan: The hidden past
Feature
Thelma John

Published 01 June 2014
0.738
Grid Festival

Various venues, Adelaide

Review
Caitlin Eyre

Published 01 June 2014
1.5
Yhonnie Scarce: A lens and a mirror
Interview
Daniel Browning

Published 01 June 2014
0.75
Culture is present in everything we do
Feature
Kimberley Moulton

Published 01 June 2014
0.978
Pathways to art in Aboriginal Tasmania
Feature
Lola Greeno

Published 01 June 2014
0.614
Yinimala Gumana: It comes from the spirit of the land
Interview
Will Stubbs

Published 01 June 2014
1.342
The Flash of Recognition: Photography and the Emergence of Indigenous Rights
Book Review
Troy-Anthony Baylis

Artist and curator Troy-Anthony Baylis reviews Jane Lydon's book The Flash of Recognition: and regards it as a "crucial text for visual communication, media, film, and photography scholars, who will learn to be more analytical of how images, particularly images of Aboriginal people, have been constructed through journalism, activism, and art."

Published 01 June 2014
 
Artshub
Desert Mob
Goulburn Regional Art Gallery
The David Roche Foundation