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Contributors

Artlink

QIAMEA

Aarna Fitzgerald Hanley

Christina Balcombe Davidson

Daniel Mudie Cunningham

Issues

INDIGENOUS__

Issue 42:3 | Warltati / Summer 2022

In Public / Inside

Issue 41:2 | August 2021

Indigenous: Storytelling in a Digital World

Issue 39:2 | June 2019

Indigenous Northern

Issue 36:2 | June 2016

Indigenous Global

Issue 35:2 | June 2015

Mining: Gouging the Country

Issue 33:4 | December 2013

Indigenous: Re-visions

Issue 33:2 | June 2013

Indigenous: Beauty & Terror

Issue 31:2 | June 2011

Blak on Blak

Issue 30:1 | March 2010

Changing Climates in Arts Publishing

Issue 29:4 | December 2009

Art Mind Beauty

Issue 28:2 | June 2008

Articles

Ever Present: First Peoples Art of Australia

Christine Han

Editorial: Artlink_Indigenous 2022

Tristen Harwood

silent/salient images

Dean Cross

The Artlink Archive Project: Tracking Indigenous voices

Djon Mundine and Una Rey

Curtis Taylor: On the cusp

Curtis Taylor

Conversations and utterances: MONA and beyond

Robert Andrew and Dean Cross

From Palestine to Country: transcultural exchange beyond the settler-colony

Micaela Sahhar

Maumau tangata, maumau whenua: Waste the land and you waste the man: On the work of Emily Karaka

Hana Pera Aoake

The Tennant Creek Brio: Taking care of business

Lévi McLean and Paris Lettau

Ngukurr Artists: A history of refusing the rules

Tristen Harwood

Perentie Kungka and Aṉangu Jazz: Ninuku now

Eila Vinwynn

Kunkurra: The spiral wind, on Country speaking with Kenan Namunjdja

Kenan Namunjdja and Tristen Harwood

Karen Mills’ landscapes: Abstract, remembered, political

Tristen Harwood

STUDIO presents: In your house

Tamsen Hopkinson and Archie Moore

Ngargee Djeembana: On the materiality of public space and Country

N'arweet Carolyn Briggs, Sarah Lynn Rees and Max Delany

Editorial: In Public / Inside

Daniel Mudie Cunningham

Street art aesthetics: Realism’s disruptive effects

Jacqueline Millner

Tremble thinking: Queer monuments and counter-memory

Sasha Grbich

Careful darling: Elizabeth Day and Gabriella Hirst

Aarna Fitzgerald Hanley

Murals in ceramic: The art of Vladimir Tichy

Vanessa Berry

From little things, big things grow: How the Aboriginal Tent Embassy (1972) inspired Richard Bell’s Embassy (2013–ongoing)

Clothilde Bullen

Shadow boxing with public statuary: Memorialising Les Darcy and Dave Sands

Wesley Enoch and Gerry Bobsien

A close-up of Amazon Acres: Helen Grace

Fiona Kelly McGregor

Blue skies, blood moon

Daniel Mudie Cunningham

Transformative communities: Curation and care

Rayleen Forester

Counter-monuments: Challenging distorted colonial histories through public art and memorials

Genevieve Grieves and Amy Spiers

First Nations museum memorials: Daniel Boyd and Yhonnie Scarce

Erin Vink

Yours truly, The Department of Homo Affairs

Jessie Boylan

‘The work that art does’: Kandos School of Cultural Adaptation

Abigail Moncrieff

Unfettered actions: Sportification, playgrounds and public art

David Cross

Out of Place

Ursula Cornelia de Leeuw

FIELD NOTES

Julianne Pierce

Editorial: Indigenous storytelling in a digital world

Larissa Behrendt and Pauline Clague

A personal reflection on self-determining documentary filmmaking practice

Larissa Behrendt

Indigenous storytelling: Deconstructing the archetype

Pauline Clague

Deaths in custody: We've got to give it everything

Lorena Allam

Dark Emu: Thank the Earth

Bruce Pascoe

Unravelling the past: Barbed wire and campfire learnings

Ali Cobby Eckermann

Speaking back to colonial collections: Building living into Aboriginal archives

Kirsten Thorpe

Sydney Elders: Continuing Aboriginal Stories

Jonathan Jones

imagineNATIVE at 20

Pauline Clague and Jason Ryle

Amala Groom: Cosmic body of remembrance

Hannah Donnelly

Network sovereignty: The internet is blak

Amrita Hepi and Enoch Mailangi

Editorial

Christina Davidson

Revealed: We are a sovereign people

Keynote address presented on 17 April 2015 in Perth as part of the annual Revealed program supporting emerging Aboriginal artists from Western Australia.

Franchesca Cubillo

A short history of Yolngu activist art

Will Stubbs

Tiwi now

On recent Tiwi art-related news

Maurice O'Riordan

Kabimbebme: It really pops!

On some Kunwinjku art terminology

Dan Kennedy

Ngarralja Tommy May: Jila Kurtal

Ngarralja Tommy May

Mobile phone remix: Miyarrka Media

On a Yolngu art of digital connection

Paul Gurrumuruwuy and Jennifer Deger

The Mulka Project

On the digital archive connecting Yolngu people of north-east Arnhem Land

Wukun Wanambi and Ishmael Marika

Design on country

On printing textiles in Indigenous art centres

Raylene Bonson, Maxine Charlie, Gracie Kumbi, Isaiah Nagurrgurrba, Vivian Warlapinni and Frances Grant

Two laws protecting Kimberley rock art

On the role of law in preserving sacred sites in the Kimberley

Rosita Holmes and Rona Charles

The rock art of Injalak

Felicity Wright, Melissa Marshall, Garry Djorlom, Christina Djorlom and Roland Burrunali

Warmun Arts. You got a story?

On language and the image in Gija art.

Anna Crane, Frances Kofod and Alana Hunt

The land and sea can't talk; We have to talk for them

Djambawa Marawili, Annette Kogolo and Christina Balcombe Davidson

Regina Pilawuk Wilson: Peppimenarti and Durrmu Arts

Regina Pilawuk Wilson, Harold Wilson Junior and Leon Pungily

Gunybi Ganambarr: Giving the trees a rest

Diane Moon

Cornelia Tipyuamantumirri: Tiwi artist

Jedda Puruntatameri

Kieren Karritpul: Old ways, new eyes

Tina Baum

Jonathon Saunders: They walk among us

Jo Holder

Jacky Green: Desecrating the Rainbow Serpent

Jacky Green and Seán Kerins

Miriam Charlie: No country, no home

Photo essay

Miriam Charlie

Yidumduna Bill Harney

Jukuja Dolly Snell

Belinda Cook

The Wanarn Painters of Place and Time: Old Age Travels in the Tjukurrpa

Ian McLean

Perceiving the distant

Daniel Browning

I’m not sure that I exist (after Borges)

Editorial essay

Djon Mundine

Catherine Croll: Picanniny’s pool is down the road

Djon Mundine

Fiona Foley: Woman on the Dunes

Djon Mundine

Jenny Fraser: The cyberTribe odyssey

Djon Mundine

Lindy Lee: Asia link

Djon Mundine

Maria Fernanda Cardoso: Mestizaje

Djon Mundine and Maria Fernanda Cardoso

Emily Kame Kngwarreye in Japan

Gay McDonald and Laura Fisher on staging Utopia: The Genius of Emily Kame Kngwarreye at the National Museum of Art in Osaka

Gay McDonald and Laura Fisher

Fragrant Lands: There’s all our country

An exhibition and artist exchange program between Desart and the Shanghai International Culture Association

Philip Watkins

Globalising teaching and learning in Indigenous Studies

Bronwyn Carlson

Grassroots cultural exchange between western New South Wales and the Philippines

Two case studies involving Indigenous artists from the Philippines and the politics of transnational cultural exchange

Ruben Allas

Georgia MacGuire: In her skin

Laura Skerlj

Karla Dickens: It’s not bloody art, it’s work!

Yiorgos Zafiriou

Lena Nyadbi: Dayiwul in Paris

Jonathan Kimberley

Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art

Nici Cumpston

Towards an outward-looking Indigeneity

On leadership and self-determination in Indigenous arts

Michelle Evans

Unmapping the End of the World

Unmapping the End of the World is an intercultural, durational and experimental contemporary art project

Jonathan Kimberley and Yhonnie Scarce

We are born of the Fanua: Moananui arts practice in Australia

Artist and curator Léuli Eshraghi maps the diaspora and reconsolidation of Pacific or Moananui peoples in Australia through the art of Taloi Havini, Kirsten Lyttle and Jasmine Togo-Brisby

Léuli Eshraghi