Eymard Tungatalum with his reinstalled Pukumani Poles in the courtyard/ ceremonial area of the Australian Centre for Indigenous Knowledge and Education, Charles Darwin University, Darwin, March 2016. Image courtesy Charles Darwin University

Tiwi now

Cover of Tiwi now
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Artlink Promo
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

On recent Tiwi art-related news

Buy Now   or   Subscribe
Artlink App in iTunes

Maurice O’Riordan is Director, Northern Centre for Contemporary Art, Darwin. Being Tiwi curated for the Museum of Contemporary Art Australia is touring nationally 2016–17 | www.mca.com.au/touring

Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Editorial
Editorial
Christina Davidson

Published 01 June 2016
0.75
Design on country
Feature
Raylene Bonson, Maxine Charlie, Gracie Kumbi, Isaiah Nagurrgurrba and Vivian Warlapinni with Frances Grant and Belinda Foster

On printing textiles in Indigenous art centres

Published 01 June 2016
1.5
Regina Pilawuk Wilson: Peppimenarti and Durrmu Arts
Artist Profile
Regina Pilawuk Wilson, Harold Wilson Junior and Leon Pungily

Published 01 June 2016
1.006
Miriam Charlie: No country, no home
Artist Profile
Miriam Charlie

Photo essay

Published 01 June 2016
2.758
Kabimbebme: It really pops!
Feature
Dan Kennedy

On some Kunwinjku art terminology

Published 01 June 2016
0.666
The rock art of Injalak
Feature
Felicity Wright, Melissa Marshall, Garry Djorlom, Christina Djorlom and Roland Burrunali

Published 01 June 2016
1.126
A short history of Yolngu activist art
Feature
Will Stubbs

Published 01 June 2016
1.304
Ngarralja Tommy May: Jila Kurtal
Feature
Ngarralja Tommy May

Published 01 June 2016
0.954
Gunybi Ganambarr: Giving the trees a rest
Artist Profile
Diane Moon

Published 01 June 2016
1.082
The land and sea can't talk; We have to talk for them
Feature
Djambawa Marawili AM and Annette Kogolo with Christina Balcombe Davidson

On collective painting projects in support of land and sea rights claims

Published 01 June 2016
0.75
Two laws protecting Kimberley rock art
Feature
Rosita Holmes and Rona Charles

On the role of law in preserving sacred sites in the Kimberley
 

Published 01 June 2016
1.41
Warmun Arts. You got a story?
Feature
Anna Crane, Frances Kofod and Alana Hunt

On language and the image in Gija art
 

Published 01 June 2016
 
NAVA
Riddoch
Crown Resorts
ACE Open
The Japan Foundation