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Radicalising Tradition: Painting in Pakistan
The teaching of miniature painting has, since the 1980s when it became a part of the National College of Arts (NCA) in Lahore, become a highly respected and important traditional genre. The role of miniature painting also came to represent many of the anxieties that entangled this postcolonial society in search of its own identity. Hashmi examines the importance of this artistic form with reference to the works of Nahid Fakhruddin, Shahzia Sikander, Imran Qureshi, Tanzeen Qayyum, Talha Rathore, Aisha Khalid and Nusra Latif.
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Shifts and Transitions in Indonesian Art and Society
This article looks at the East Timor crisis and the attempted boycott of the APT 3 at the Queensland Art Gallery subsequent to Indonesian artists participating in the event. Marianto examines this in relation to the shifting powers in Indonesia at the time from the ruling of President Habibie to the fourth leader Abdurrahman Wahid (Gus Dur) and presents a list of what could be considered seven strands of artistic concern within Indonesia: The critical group, alternative art, art for art's sake, conventional art, marginalised individuals, media-influenced art and feminist artists.
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The Enigma of Japanese Contemporary Art
Japanese culture at the end of the twentieth century was at an intersection of past, present and future. Exhibitions including Against Nature at the Grey Art Gallery in New York (1989), Japanese Ways, Western Means at the Queensland Art Gallery in Brisbane (1989), A cabinet of Signs at the Tate Gallery Liverpool (1991) and Zones of Love at the MCA Sydney (1991) showed for the first time the complex and urban basis of Japanese art in the 1980s, a time of considerable transition in Japanese art practice. Featured artists included Shigeo Toya, Kimio Tsuchiya, Yasamasa Morimura, Takashi Murakami, Emiko Kasahara, Masato Nakamura, Yukinori Yanagi, Katsushige Nakahashi and Tatsuo Miyajima.
Hook's Mountain - The Environment as Theatre
Tasmanian theatre company Zootango's touring production Hook's Mountain.
Art, Architecture & the Environment
Against 'Neofuturism': Women Artists in Technological Media
In matters of technology, as in matters of sex, it is easy to assume one's own preferences are universal and normal, and to regard other's tastes as somehow debased or improper.
Film & Video
Bigs R Us
Australians have a natural thirst for objects of grand scale, however ridiculous their theme or location or context. From big sandfly, big axe to big oyster and beyond, we are the big desert island that experiences big wets and big dries, little wonder someone made a Big Tap to remind us...we are big drinkers.
Taste Meets Kitsch
Easy Access Hardware
The Raw Material Curatorial Development Program was designed to provide training opportunities for curators without experience, but with plenty of potential. Based at Gertrude Street Victoria. Featured artwork by Marie Sierra-Hughes.
The Art of Survival
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On Reflection by Noel Sheridan
Autobiographical book by Noel Sheridan with contributions from Donald Brook, George Alexander and others Four Courts Press, Dublin, 2001, 212pp, colour 
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Reality-technicians: everyday sorcery in installation art in New Zealand
'There was a flash of light, a smell of laundry and the penetrating fumes of a powerful cleanser, then a neutral nothing-smell, not even the usual substituted forest glade or field of lavender or carnation, and all that remained of Tommy were two faded footprints on the floor.'
From first canvas to national collections in three years
The story of senior women from Kintore, Northern Territory
Emerging Artists
Blackfella Time
Conversation between Stephen Wigg and a friend about 'Blackfella Time' at the Adelaide University Union Gallery
Pioneering Gallerists: Kym Bonython

While Kym Bonython AC, DFC, AFC is not in the league of the iconic art dealers Joseph Duveen or Ambroise Vollard, he was as important to the Australian art scene in the 60s as Leo Castelli was to New York. Born in Adelaide in 1920, he chronicled his unusual life in autobiography Ladies Legs and Lemonade in 1979 which describes his various careers to that point. When Paul Greenaway talked to him for Artlink recently he began by asking him about his collecting activities in the early days, who he bought art from and whether he followed their lead.

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Postcard from China: 900 years of kneeling - censored

In his work, Chinese artist Jin Feng maintains a continuing interest in 'problem people'. Concerned with socio-philosophical issues, he is testing the limits of tolerance. He is also interested in challenging public prejudices against the too easily condemned. Tamara Winikoff interviews Jin Feng about his sculptural piece 'We Want A Rest By Standing Up'  depicting two infamous figures from China's history. This was the subject of much recent controversy and was censored by the authorities.

Artrave
The Face
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M/other love: the first relationship & the photography of Toni Wilkinson
Toni Wilkinson’s 'm/other' exhibition of photographs at Perth Galleries, North Fremantle earlier this year confronted the viewer with a series of atypical representations of the mother child relationship. She give a glimpse into the privacy, and reality, of a mother’s world by showing us mothers and their children at their most naked, physically and emotionally.
Balgo Art: New Directions

James Cowan, Craftsman House,
Sydney, 1999; 143 pages, 52 colour

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Paul Greenaway: Energy Synergy
Habitual browsers of a leading internet art site, accustomed to an absence of Australian content, would have been startled in February of this year, to observe a prominent reference to Australian art at Madrid's ARCO. For Paul Greenaway, Director of Greenaway Art Gallery in Adelaide, and motivated by a desire to redress the lack of international awareness of contemporary Australian art, it marked the culmination of seven years of lobbying to have Australia designated the focus nation at the Spanish contemporary art fair.
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Turning Artists into Subcontractors: The Artworkers Alliance
An enormous pair of demonstrative hands, one lying supplicant the other pointing metaphorically skywards as a physical reminder to 'look to the heavens' past the encroaching skyscrapers at the over-reaching great sky, is the latest addition to the Brisbane CBD streetscape.
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Transiting to a new self: Regendering
Ros Prosser and Vicki Crowley attend the 80th birthday of drag queen Rouge in Adelaide
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The artworld and the paradox of sustainability
Robert Nelson proposes poetic solutions to overcoming our carbon plinth print
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Shaun Gladwell: The Lacrima Chair; Collection+
Shaun Gladwell: The Lacrima Chair (SCAF Project 24); Collection+: Shaun Gladwell (SCAF Project 25) Sherman Contemporary Art Foundation, Paddington UNSW Galleries, Sydney
6 March – 25 April 2015
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Outside Thoughts
Mitch Cairns, Emily Floyd, and Danie Mellor
Darren Sylvester Contemporary Art Tasmania, Hobart
19 March – 19 April 2015
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Mishka Henner and Jill Orr: Performing to the all-seeing eye
Jill Orr and Mishka Henner make new work for the Mildura Palimpsest Biennale #10.
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Moana Project Space becomes a Fremantle Success story

Eve Sullivan in conversation with director Dale Buckley about a new gallery in the basement of a former department store in Fremantle 
 

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Body, remember: Wrap me in a sister cloak

Tracey Moffatt’s series Body Remembers (2017) draws its title and responds to the poem by Constantine P. Cavafy (1918). In each of the series of large photographs we see a woman alone, in the ruins of colonial buildings, on the shadows of eroded stones. We see her looking out of windows, looking out into the distance. As the viewer, we see the back of the woman’s head, or the shadow of the woman, or her face that is covered by her hands as the Aboriginal woman maidservant looking out. The body in this title could be read as both our country and our flesh. The sovereign woman mourns. What do we mourn?

Four books on SA artists

Annette Bezor: A Passfonate Gaze
Richard Grayson 2000

James Darling: Instinct, Imagination, Physical Work
Daniel Thomas 2001

Nick Mount: Incandescence
Margot Osborne 2002
Wakefield Press/SALA

Greg Johns
John Neylon, Macmillan 2002

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Lily Hibberd: Burning Memories
TCB Gallery Melbourne 13 - 24 November 2001
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Uniform: Kate Just
Penthouse & Pavement 4 - 26 January 2002
Kathleen Petyarre: Genius of Place

Essays by Christine Nicholls and Ian North, Wakefield Press in assoc with SALA Week

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Modern Asian Art
John Clark, Sydney: Craftsman House, 1998,
344 pp., 48 colour plates, hardcover, ISBN 90-5704-04-17, $85
Anxious Nation: Australia and the Rise of Asia 1859-1939

David Walker, University of Queensland Press, 1999, 312pp, paperback RRP $29.95

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Cheo Chai-Hiang Thoughts and Processes (Rethinking The Singapore River)
Cecily Briggs, Singapore art Museum & Nanyang Academy of Fine Art, 2000, 132pp RRP $40
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Inside Out: New Chinese Art
Gao Minglu (ed), California Press 1998 RRP c.$90
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David Malangi
Tributes to two painters from Ramingining in Arnhem Land, George Milpurrurru and David Malangi who helped to place this region on the map. Paintings were included in the 1979 Sydney Biennale. The iconography, style of painting and the public response to their work and interaction with the wider art world is discussed. Both of these major artists died during the 1990s after careers of around four decades.
Susan Hiller on her work: I don't care what it's called
Artlink 2:4
Obituary: David Saunders
Artlink 6:5
Into the third dimension
Art & Technology
Observations of Video 8
Art & Technology
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