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Contributors
Orlan
Artlink
Stelarc
Adelè Sliuzas
Alison Kubler
Andrew Yip
Anna Nazzari
Anna Ward
Anne Kirker
Anne Quain
Annette Pederson
Barbara Noske
Bec Dean
Belinda Daw
Bindi MacGill
Bonney Djuric
Bronwyn Platten
Carol McGregor
Cath Kenneally
Catherine Speck
Catherine Waldby
Catriona Moore
Christopher Allen
Courtney Coombs
Dale Kelly
Daniel Mudie Cunningham
David Dolan
Diana Smith
Donald Brook
Dorothy Erickson
Duncan Bligh
Elizabeth Ashburn
Elly Raymond
Erin Sickler
Fred Rost
George Alexander
Helen McDonald
Imran Ahmad
Ionat Zurr
Jack Jeweller
James Moss
Jane Goodall
Jane Trengove
Jazmina Cininas
Jennifer Kalionis
Jo Higgins
Joanna Capon
Joanna Mendelssohn
John Kelly
Juliette Peers
Kathryn Mitchell
Kiersten Fishburn
Kirsten Rann
Kirsty Darlaston
Kit Wise
Kristen Sabiel
Laetitia Wilson
Laura Castagnini
Lavinia S Ryan
Lily Hibberd
Lynne Roberts Goodwin
Madeleine Clark
Mary Knights
Merily Oppermann
Michele Barker
Michele Theunissen
Monika Tichacek
Odetta Kelada
Pat Hoffie
Patrick Sutczak
Paul Downton
Penny Trotter
Prue Gibson
Rachael Sweting
Ray Cook
Rhonda Dredge
Rilka Oakley
Robert Nelson
Robyn Daw
Rosslyn Prosser
Russell Storer
Sean Kelly
Stephanie Britton
Stephanie Radok
Steven Holland
Svetlana Karovich
Thelma John
Tiffany Parbs
Vesna Drapac
Vicki Crowley
Victoria Ryan
Virginia Rigney
W.J.T. Mitchell
Issues
Sexing the Agenda
Issue 33:3 | September 2013
The Improved Body
Issue 22:1 | March 2002
Art & Medicine
Issue 17:2 | June 1997
Articles
Letter from a young woman artist (after Janine Burke)
Diana Smith writes back to Burke questioning how much has changed.
55th Venice Biennale: The Encylopedic Palace
55th International Art Exhibition, Venice
1 June – 24 November 2013
1 June – 24 November 2013
Heartland: Contemporary art from South Australia
Art Gallery of South Australia
21 June – 8 September 2013
21 June – 8 September 2013
5th Auckland Triennial: “If you were to live here …”
The Auckland Art Gallery
10 May – 11 August 2013
10 May – 11 August 2013
Roy Ananda: The Devourer; Sandra Uray-Kennett: A Knights Tour through a Rent in the Wall
Contemporary Art Centre of South Australia Gallery and Project Space, Adelaide
26 April – 26 May 2013
26 April – 26 May 2013
19th International Symposium of Electronic Arts: Resistance is Futile
19th International Symposium of Electronic Arts
7 – 16 June 2013
7 – 16 June 2013
My Country, I Still Call Australia Home: Contemporary Art from Black Australia
Gallery of Modern Art, Brisbane
1 June – 7 October 2013
1 June – 7 October 2013
On Humans and Other Animals 'Becoming' Each Other
The metaphor of becoming animal till there is no longer man or animal is becoming real with the advances in genetic tissue technology and stem cell research. Artists dealing with hands-on wet biology art practice are exploring the tangibility of such an idea. Zurr looks at issues surrounding such new technology, at the experiment which saw an ear grafted onto a mouses back, constructed in vitro (outside of the body) and the possible future for the human and animal kingdoms.
The Extra Ear (or an ear on an arm)
What characterises all of Stelarc's projects and performances is the notion of the prosthetic. The EXTRA EAR is a project Stelarc has been fostering since 1997 and the problems lie in finding the appropriate medical assistance to realise it. Constructing the EXTRA EAR would involve a number of procedures, over approximately 8-10 months. Techniques from Cosmetic, Re-constructive and Orthopaedic surgery are necessary. Here Stelarc outlines some of the essential steps in constructing the EXTRA EAR and discusses the nature of this radical project.
Michele Barker
Michele Barker is a Sydney-based artist working in the area of new media. Conceptually, her work has concerned itself with notions of bodily identity, difference and in more recent times, the relationship between science, medicine and corporeality.
Ray Cook
Ray Cook is a Brisbane-based photographic artist who has exhibited for 13 years with 20 solo shows to his credit. Cooks work has been primarily concerned with mortality, loss of control and the way gender and sexuality have been perceived in the media. His images are highly theatrical, staged scenarios, a hybrid of performance and still photography.
The Surgical Fix: Physical Capital, Self-Improvement and the Body Beautiful
Historical studies have shown that an improved physical appearance had profoundly beneficial psychological effects and behavioural outcomes. Plastic surgery became a vital tool in the 1930s, holding out the promise of removing the traces of war and eliminating prominent markers of ethnicity. In recent years the cosmetic surgery industry has grown in Australia, and as with all countries the common goal is the production of a narrowly defined culture of bodily beauty. Ryan looks at the cosmetic surgery industry and some of the artistic responses to such ideas and ideals, particularly those of artist Annabelle Collett.
Monika Tichacek
Monika Tichacek is an installation artist based in Sydney. Her performance installations exist as a space within fiction, dreamlike. In both of Tichacek's works I Wanna Be Loved By Youand Romancethe view of the human is mediated by a surveillance camera, echoing the receding of the surgically enhanced body from human towards post-human.
Tiffany Parbs
Tiffany Parbs reinterprets 18th century medical tools to create works of small objects which carry with them an implication of an intimate relationship with the body. Parbs is based in South Australia at the JamFactory Contemporary Craft & Design; her project has been assisted by Arts SA and the Australia Council.
Sex in the Cyborg: Julie Rrap's Overstepping
This article follows in the footsteps of Julie Rrap's Overstepping, the digital print that won the 2001 Hermann's Art Award, at a time when geneticists are close to patenting a hybrid body. This image is a snapshot merging of the developed and the evolved, it can trigger a complex mix of fear and desire at a time when flesh has become protean and everything else morphologically dubious.
Lynne Roberts-Goodwin
Lynne Roberts-Goodwins work with birds is the latest chapter in her 20-year practice using digital photography. Her current work involves the research and image capture/production of animal habitat and migration using infrared and supplementary daylight fibre-optic lighting with digital image and video capture technologies.
Steven Holland
Steven Hollands pests/pets, DEED and being are a part of an ongoing series of ephemeral investigations into the representation of animal life. Underlining this is an exploration into the act of looking and the dominance of human vision. Holland was born in Dwellingup, WA, and studied at Curtin University, Canberra School of Art and at the Royal College of Art.
Similarities, Gen-et(h)ic Boundaries, and Respect for Otherness
This article discusses a specific aspect of the human/ animal relationship and of communication in and between species. It points to a few specific experiments which have been conducted to try and bridge the gap between human and animal connectivity and relatedness. Furthermore it recognises the different ways animals and humans relate to and view the world around them, whether it be via visual, tactile, olfactory, auditory or other sensory devices.
Jane Trengove
Jane Trengoves new paintings of monkey faces are the latest work in her long investigation into the human/animal interface. Trengoves intention with her series Looking Back is to grasp the moment of recognition from the human point of view and reverse the subject and object positions of the gaze. Trengove was born in Melbourne and studied at East Sydney Tech and at the Victorian College of the Arts.
The Theatrics of Cloning: The Recent Paintings of Juan Ford
Juan Ford's recent exhibition Clone is a series of portraits of doppelgangers trapped within neo-realistic hallucinatory environments that are rich in attributes taken from technological culture. The juxtaposition of traditional painterly portraiture with objects taken from recent technologies uncovers the sense of mystery that these new technologies provide for us. Trotter looks at Ford's practice within the context of our post-modern society, discussing relevant issues of capitalist culture as 'narcissistic' and the breakdown of a consistent personal identity within it.
Carnophilia
This text is concerned with the notion of animal and human hybridity, as examined in a historical and contemporary context through the myth of King Minos of Crete and more recently the work of artists such as Damien Hirst and John Kelly. From the shadowy overlap between species that the minotaur depicts to such contemporary models of animal/ human formation as the fictitious Spiderman, such figures of the imagination remind us of the diminishing gap between science fact and science fiction.
John Kelly
John Kelly paints cows and horses, in particular, the legendary Phar Lap and Dobell's camouflaged bovines. Through using these narratives and adding new elements Kelly has created a multi-layered structure of ideas. This evolution works on a slow time scale that is at odds with today's fast consumer culture where products need to be refreshed and changed on a continual basis.
Sympathetic Magic: Skin and Canvas
The skin, the membrane, the corporeal envelope, the shroud, the veil - all those things that tend to separate and define appearances from either the being inside, or from the beingness outside - have provided a source of some of the most rich and persistent metaphors for Western culture. With the 20th century bringing a re-emergence of the idea of the skin as an organ rather than a boundary, notions and representations of the physical body dominated the work of last century and painting returned as an important medium for such depictions. This article looks at the metaphoric and literal relationship between skin and its various representations in contemporary art.
Animal Magnetism: Sharon Goodwin and the Eternal Romance of the Bestial
The work of Sharon Goodwin is directly influenced by the Coles Funny Picture Books which create a bizarre Victorian world where human and animal promiscuously cross over. Here people are frequently turned into animals, and the qualities of animals emerge in humans through vices of personality. Goodwin's exhibition which was held at Uplands Gallery in Melbourne, Victoria in November 2001 presented a series of portraits of bestial humans or humanised animals repainted from Cole's woodcuts. Goodwin has introduced crude lines and stitching and patching in the images to represent the frequent actualisation of plastic surgery in contemporary society.
Uglielands: The Fremantle Festival 2001
At Fremantle Arts Centre, as part of the annual Fremantle Festival in 2001, selected artists addressed the notion of fascination by and in the freak, geek and grotesque in relation to carnivals and circuses. Artists included Susan Flavell, Emma Margetts, Clare McFarlane and Nein Schwarz.
Polemic: The Undoing of Art History (Part II)
In Part I (Artlink, December 2001) the subject called Art History was challenged, using the terms art and work of art in a conventional way. Here in Part II it is argued that some of the woes of art theory can be alleviated by understanding these terms in a different way. Brook discusses the role of cultural memes in creating different kinds of historiesand the doctrine of creativity. He here concludes that it is perfectly understandable that, as metaphysical explorers, we may address works of art with little or no respect for the author's intentions. In the end, he states, it depends upon the regularities of the real world.
Improving Their Bodies, Improving Our Bodies
Anne Quain is a veterinary student living in Sydney and through this text explores the notion of animal/human relationships and the cloning of adult animals. This idea is discussed in the context of contemporary consumer society, and the question is raised: Might replacing a body become an economically more feasible alternative to treating an existing body? Would animals become disposable? Although she is here referring to a process having only been explored through fiction, she makes the point that it may not be far off.
Introspecting
"The belief system that makes the artworld so unlike - let us say - the builder's hardware world is distinguished primarily by the doctrines that there are no truths and that nothing is real.... To put the point with moderation: artists would not be inconvenienced in the least by a general theory of representation that brought the trustworthiness of their critic somewhere within powerful cooee of the trustworthiness of their radiologist. And Theory owes it to them."
Art & Medicine
Whose Body? Ethics and Experiment in Art
How does the notion of experiment translate from the realms of scientific medicine to the realms of art? We are forced to examine how legal and ethical liabilities of behaviour are encoded. Looks at the work of Stelarc and Orlan.
Art & Medicine
Manifesto of Carnal Art
Carnal art is self portraiture in the classical sense, but realised through the possibility of technology. It swings between defiguration and refiguration. Its inscription in the flesh is a function of our age. The body has become a 'modified ready-made', no longer seen as the ideal it once represented.
Art & Medicine
Hand and Eye: The Art of Michael Esson
Michael Esson is fascinated by medical science. His work is not simply a satire of the medical profession or a reflection of the limitations of modern science. The surgeon is a metaphor for the mind facing the limits of its own ability to look into the darkness of nature.
Art & Medicine
The Faulding Collection
Looks at the art collecting practice of international pharmaceutical and healthcare company F.H.Faulding & Co.
Art & Medicine
The Irrepressible Imprecision of Emotion
One of the general aims of internationally focussed survey exhibitions is to reflect the art of a particular time....However there is also a sense in which exhibitions of this nature can tend to operate as a form of cultural engineering, where the very status of inclusion in such exhibitions influences the kind of work made.
Art & Medicine
Post-mortem: Farrell and Parkin
For a number of years the collaboration of Farrell and Parkin has produced photographic imagery dealing with medical history. Their photographic work involves the almost archaeological reconstruction of medical contraptions together with bandaging and stirrups and so on which are described in medical texts.
Art & Medicine
Healing Places: The Art of Placemaking in Health Facilities
Examines ideas of place in medical/health facilities from different perspectives. What role does art play in these places? To promote wellness, designers need to create environments that help in reducing stress. Art has an important role to play in helping people to heal.
Art & Medicine
Drugs 'n' Art
The role of drugs and art making is examined in the works of particular artists. Historically drugs have been used for enlightenment as well as for healing or endurance....
Art & Medicine
Image Bank for Art and the Body - Medical Imaging
Medical imaging through the work of nine artists: James Guppy, Ruth Waller, Victor Dellavia, Elizabeth Abbott, Julie Rrap, Jan Parker, Tina Gonsalves, Kate Campbell-Pope and Claire Bailey. Artists statements and colour images included.
Art & Medicine
Means to an Endoscope: Art, Medicine and the Body
Art medicine and the body was a project spanning 18 months. There were 28 participating artists. The exhibition opened at the Perth Institute of Contemporary Art in August 1996 followed by the performance and forum.
Art & Medicine
Body Suits
Body suits, conceived by Jane Trengove of Arts Access Victoria, proposes the body as a site for investigation with the contributing artists being mostly people who experience 'bodily difference due to disability'. Touring show in 1997.
Art & Medicine
Linking Art, Science and Technology through the body
Looks at the conference 'inter sections 1996' hosted by the College of Fine Arts at the University of New South Wales. The theme for the conference was Imag(in)ing Bodies; Issues of art, design, technolgy, health, medicine and science.
Art & Medicine
Artworks in the New Children's Hospital Westmead NSW
The new building was conceived with the idea that artworks would be included throughout the new hospital as part of the desire to create a total healing environment. Since 1995 when the first patients were admitted the collection has continued to grow. An illustrated catalogue of the collection has also been published.
Art & Medicine
Youth Arts in Hospital
The Youth Arts program at the Department of Adolescent Medicine at the New Children's Hospital Sydney commenced in 1984. In 1994 the project 'Art Injection' took place resulting in a book.
Art & Medicine
Art Therapy: The New Frontier
Looks at the program in the College of Fine Art at the University of New South Wales.
Art & Medicine
Getting Better all the Time: Austin and Repatriation Medical Centre Arts Program
The Austin and Repatriation Medical Centre (Victoria) has an innovative arts program. Commenced in 1989 and now holds an annual exhibition of sculpture.
Art & Medicine
Hello Sailor
Exhibition review Sculpture Bert Flugelman
Greenaway Art Gallery,
Adelaide, South Australia
23 April - 18 May 1997
Art & Medicine
Salome's Dance
Exhibition review Blind: Annette Bezor
Greenaway Art Gallery,
Adelaide, South Australia
March 26 - April 20 1997
Art & Medicine
A Manifesto of Arrival and Understanding
Exhibition review Paintings: Zhong Chen
Adelaide Central Gallery,
South Australia
7 March - 20 April 1997
Art & Medicine
Historical Incisions
Exhibition Review Intervention 4: Michael Schlitz
Tasmanian Museum and Art Gallery
3 February - 2 March 1997
Art & Medicine
Getting a Glimpse of the San
Exhibition review Eland and Moon: Contemporary San Art of Southern Africa
Museum and Art Gallery of the Northern Territory
29 November - 31 March 1997
Art & Medicine
Compelling Viewing
Exhibition review In focus: Rover Thomas
Stories: Works from the Holmes a Court Collection
Lawrence Wilson Art Gallery
The University of Western Australia
Part of the 1997 Festival of Perth
Art & Medicine
An Elliptical Traverse
Exhibition review Inside the visible - Alternative views of 20th Century Art through Women's Eyes
Art Gallery of Western Australia
13 February - 6 April 1997
Art & Medicine
Liar, Liar, Pants on Fire
Book review Letters and Liars: Norman Lindsay and the Lindsay Family by Joanna Mendelssohn
Angus and Robertson
RRP $19.95
Art & Medicine
Search and You Shall Find
Book review Max Germaine's Artists and Galleries on CD Rom
Published by Macquarie Multimedia
RRP $199
(reviewed by Anna Ward with Julia Farrow vi$copy@wr.com.au)
Art & Medicine
The Bank West Inaugural Contemporary Art Prize, Perth Institute of Contemporary Art
8 November 2001 - 26 January 2002
In correct syntax, Greg Leong, Mammad Aidani and Matthew Ngui,
Nexus Multicultural Art Centre Adelaide 6 September - 7 October 2001
Love and Death: Art in the Age of Queen Victoria
Art Gallery of South Australia, Adelaide 7 December 2001 - 3 February 2002
Petr Herel: Drawings, Prints and Artist's Books
holmes à court gallery, East Perth 11 October - 25 November 2001
Touching from a Distance
Katrina Virgona, John Vella, Bree Riseborough, Julie Gough, Maria Ainsley, Ian Blamey, Linda Vujcich, Brigita Ozolins, Hadass Schlagman, Andy Jones, Donna Ettrick and Rachel Guy. FOYeR Installation Space, Hobart 13 December - 12 January 2001 The Artists Foundation of Western Australia, Moore's Building, Perth 14 - 20 December 2001