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The rogue aesthetic practice of crossing the DMZ
Gim Jong-gil on the seditious seed that is the Demilitarized Zone between North and South Korea
Art–science convergence: High-tech/media/robotics/post-human
Hye Jin Mun on the intersection between the arts and sciences in Korean art
Filling the holes of history with the present: Cho Duck Hyun, Noh Suntag and Jo Haejun
Jung Hyun on three Korean artists who deal with history in strikingly different ways
Art that embraces the village and its residents
Kim Hae-gon on the Maeulmisul Art Project supporting regional renewal
Art museums rule: State support for grand visions
Kim Inhye on Seoul’s evolving infrastructure of museums, independent artists’ spaces and residency programs
Ecology and new border paradigms: The Real DMZ Project 2015
Lee Sun Young on practices that shed light on the division and possibilities for reunification of North and South Korea
Cultural conversations: An oral history project
Paul McGillick on an online archive generating a unique cultural exchange between Australia and South Korea
Are we engaged or just hanging out? Korea–Australia arts exchange
Sarah Bond on the act of giving and taking as cultural exchange
Video and performance art in Korea: A force majeure
Yoo Jin Sang on the evolving forms of performative practice in contemporary Korean art
The world of Dansaekhwa: Spirit, tactility and performance
Yoon Jin Sup, the acknowledged authority on the 20th-century movement of Dansaekhwa, traces its resurgence today as an expression of the enduring presence of ancient culture in this outwardly most material of societies
Video and performance: Many chronic returns
Robert Nelson on the death and rebirth of performance in the video loop
Fly In Fly Out artists of Western Australia
On artist residencies and site-specific projects that don’t always go as planned
Alicia Frankovich: Toward a republic of the post-human multitude
Toward a republic of the post-human multitude
Perspectives on contemporary dance
Julianne Pierce on multidisciplinary approaches to working across contemporary dance and visual arts
Emily Kame Kngwarreye in Japan
Gay McDonald and Laura Fisher on staging Utopia: The Genius of Emily Kame Kngwarreye at the National Museum of Art in Osaka
Fragrant Lands: There’s all our country
An exhibition and artist exchange program between Desart and the Shanghai International Culture Association
Grassroots cultural exchange between western New South Wales and the Philippines
Two case studies involving Indigenous artists from the Philippines and the politics of transnational cultural exchange
Unmapping the End of the World
Unmapping the End of the World is an intercultural, durational and experimental contemporary art project
We are born of the Fanua: Moananui arts practice in Australia
Artist and curator Léuli Eshraghi maps the diaspora and reconsolidation of Pacific or Moananui peoples in Australia through the art of Taloi Havini, Kirsten Lyttle and Jasmine Togo-Brisby
Recalling history to duty: 100 years of Australian war art
Ryan Johnston on Australia's official war art scheme.
Bound and Unbound: Sovereign Acts (Act 1)
Ali Gumillya Baker with Faye Rosas Blanch, Natalie Harkin and Simone Ulalka Tur on decolonising methodologies of the lived and spoken
Territory style: Salon des Refusés
Yanuwa/Larrakia/Bardi/Wardaman woman Franchesca Cubillo, Senior Curator/Advisor National Gallery of Australia, writes about the first Salon des Refusés (conceived and brought to fruition by gallerists Matt Ward and Paul Johnstone) held in Darwin in 2013 as a pendant to the National Aboriginal and Torres Strait Islander Art Awards.
Melbourne Now: The defining moment for a century of art schools?
Juliette Peers looks at the big picture of the NGV homegrown blockbuster Melbourne Now and finds its origins reach back in time.
Double-dare ya
Author and broadcaster Craig Schuftan looks at the perennial issue of the co-option of anti-establishment culture as seen in the different approaches of Kurt Cobain and the band started by his friend Kathleen Hanna - Riot Grrrl.
“This is [not] for everyone” – forewarning the end of a free and open web
Digital nomad Fee Plumley reviews the state of the internet and Facebook's new algorithm that wants to tell you what you want to know.
How the demographic got screwed
Associate Professor Joanna Mendelssohn looks over the last twenty-five years of tertiary art education and wonders where the intake of students from a broad socio-economic spectrum has gone and where the subsequent shrinking cultural conversation leaves Australia?
Back to the future: contemporary or alternative?
Professor Pat Hoffie of Griffith University, interviews the two new Directors of the IMA, Aileen Burns and Johan Lundh, and contextualises their appointment in the Contemporary Art Space context of 2014.
