Åzone Terminal, installation view, Mechanical Terminal:Pietro Leoni, Photo: Kris McKay. © Solomon R.Guggenheim Foundation, New York

Metadata and the rhizome of museum practice

Cover of Metadata and the rhizome of museum practice
0.562
Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
0.8
Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
0.8
In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Desert Mob
0.8
The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
0.8
Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
0.8
Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
NAVA
0.8
Someone has to be innocent: a reflection on the post-2020 art critic
Feature
John Mateer

Published 30 March 2022
0.8
A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022
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Andrew Yip is a researcher in experimental new media at the Laboratory for Innovation
in Galleries, Libraries, Archives and Museums, UNSW | andrewyip.org

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