Åzone Terminal, installation view, Mechanical Terminal:Pietro Leoni, Photo: Kris McKay. © Solomon R.Guggenheim Foundation, New York

Metadata and the rhizome of museum practice

Cover of Metadata and the rhizome of museum practice
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Melanie Jame Wolf's Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image
Feature
Daniel Mudie Cunningham

Published April 2021
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Apprehending the Multiverse: A Costumed Allegory for Four Percussionists Michaela Gleave's Cosmic Time
Feature
Ann Finegan

Published April 2021
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Michaela Stark: On Control and Beauty
Feature
Alison Kubler

Published April 2021
Ballarat Foto Biennale
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Cigdem Ayedemir
Feature
Sumaiya Muyeen

Published April 2021
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On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt
Feature

Published April 2021
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From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes
Feature
Ann Finegan

Published April 2021
Country Arts SA
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Sarah Rodigari: Redressing the vernacular
Feature
Abigail Moncrieff

Published April 2021
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The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration
Feature
Belinda Cook

Published April 2021
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Andrew Yip is a researcher in experimental new media at the Laboratory for Innovation
in Galleries, Libraries, Archives and Museums, UNSW | andrewyip.org

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