Åzone Terminal, installation view, Mechanical Terminal:Pietro Leoni, Photo: Kris McKay. © Solomon R.Guggenheim Foundation, New York

Metadata and the rhizome of museum practice

Cover of Metadata and the rhizome of museum practice
0.818
Unfettered actions: Sportification, playgrounds and public art
Feature
David Cross

Published 25 August 2021
0.87
'The work that art does': Kandos School of Cultural Adaptation
Feature
Abigail Moncrieff

Published 25 August 2021
0.75
Yours truly, The Department of Homo Affairs
Feature
Jessie Boylan

Published 25 August 2021
Riddoch
0.686
First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Feature
Erin Vink

Published 25 August 2021
0.844
Counter-monuments: Challenging distorted colonial histories through public art and memorials
Feature

Published 25 August 2021
0.844
Transformative communities: Curation and care
Feature
Rayleen Forester

Published 25 August 2021
Guildhouse
0.666
Blue skies, blood moon
Feature
Daniel Mudie Cunningham

Published 25 August 2021
0.8
A close-up of Amazon Acres: Helen Grace
Feature
Fiona Kelly McGregor

Published 25 August 2021
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Andrew Yip is a researcher in experimental new media at the Laboratory for Innovation
in Galleries, Libraries, Archives and Museums, UNSW | andrewyip.org

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