Åzone Terminal, installation view, Mechanical Terminal:Pietro Leoni, Photo: Kris McKay. © Solomon R.Guggenheim Foundation, New York

Metadata and the rhizome of museum practice

Cover of Metadata and the rhizome of museum practice
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
0.786
Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
CAT
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
0.786
On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
0.792
Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
QAGOMA
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020
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Andrew Yip is a researcher in experimental new media at the Laboratory for Innovation
in Galleries, Libraries, Archives and Museums, UNSW | andrewyip.org

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