Let's boycott all biennales!
Ian Milliss on why biennales, like wars, are the continuation of politics by other means
More from this Issue
Material thinking and sustainability in contemporary ceramics
Altair Roelants on critical new directions in ceramics from Australia and New Zealand
Return to the Wunderkammer
Eve Sullivan interviews Lisa Slade Curator of the 2016 Adelaide Biennial of Australian Art: Magic Object
The new National Gallery Singapore: A monument for intersecting histories
Alan Cruickshank on branding the city-state as a global city for the arts