The public good of private museums in Korea
Chang Seung-yeon on the the conspicuous activity of the private art museum run by corporations and individuals
More from this Issue
Ecology and new border paradigms: The Real DMZ Project 2015
Lee Sun Young on practices that shed light on the division and possibilities for reunification of North and South Korea
The rogue aesthetic practice of crossing the DMZ
Gim Jong-gil on the seditious seed that is the Demilitarized Zone between North and South Korea
Video and performance art in Korea: A force majeure
Yoo Jin Sang on the evolving forms of performative practice in contemporary Korean art
Art that embraces the village and its residents
Kim Hae-gon on the Maeulmisul Art Project supporting regional renewal
Filling the holes of history with the present: Cho Duck Hyun, Noh Suntag and Jo Haejun
Jung Hyun on three Korean artists who deal with history in strikingly different ways
Cultural conversations: An oral history project
Paul McGillick on an online archive generating a unique cultural exchange between Australia and South Korea
