Helen Pynor: Confounding clear separations

Cover of Helen Pynor: Confounding clear separations
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An Aṉangu Western
Feature
Lisa Slade

Published 01 December 2023
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Ngurra Bayala (Country speaks) in the Blue Mountains
Feature
Leanne Tobin and Rilka Oakley

Published 01 December 2023
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Curtis Taylor and Natalie Scholtz: A close reading
Feature
Jessyca Hutchens

Published 01 December 2023
Mandorla Art Prize
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Linga yarren yilwarraya dam warna-warnarram: We remember forever that from long ago (ngarranggarnin)
Feature
Ethel McLennon, Madeline Purdie and Cate Massola

Published 01 December 2023
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Ben McKeown and the films of Mark Street
Feature
Una Rey

Published 01 December 2023
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Mulanmali (to do over and over): Indigenous custodianship practices at the Art Gallery of New South Wales
Feature
Erin Vink and Juanita Kelly-Mundine

Published 01 December 2023
Melbourne Art Fair
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Yarning with Cairns First Nations Curators' Collective

Aven Noah Jnr., Peggy Kasabad Lane and Teho Ropeyarn with Hamish Sawyer

Feature
Hamish Sawyer

Published 01 December 2023
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Tjukurpa - handle it!

In Conversation: Robert Fielding and Angus Webb with Lisa Slade

Feature
Lisa Slade

Published 01 December 2023
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Marius Kwint is an art historian and reader in visual culture at the University of Portsmouth, UK. He was guest curator of the critically acclaimed and highly popular exhibition, Brains: The Mind as Matter at the Welcome Collection in London in 2012, and at the Museum of Science and Industry in Manchester in 2013.

Helen Pynor is represented by GV Art in London and Dominik Mersch Gallery, Sydney

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