Nanoart

Cover of Nanoart
1.144
Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier
Feature
Lorna Munro

Published 24 January 2022
0.744
We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
0.75
Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
Gallipoli Art Prize
1
Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
0.8
Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
0.75
Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
Guildhouse
0.8
Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
0.8
My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Dr Paul Thomas is an Associate Professor and Director of the Fine Arts Program, College of Fine Arts, UNSW.

Prudence Gibson is a Teaching Fellow, UNSW and author of The Rapture of Death (2010).

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