The rogue aesthetic practice of crossing the DMZ
Gim Jong-gil on the seditious seed that is the Demilitarized Zone between North and South Korea
More from this Issue
The public good of private museums in Korea
Chang Seung-yeon on the the conspicuous activity of the private art museum run by corporations and individuals
Three Korean artists at the 8th Asia Pacific Triennial of Contemporary Art
Yeon Shim Chung on artists Choi Jeong-Hwa, Haegue Yang, and Siren eun young jung
An interview with BG Muhn on the art of North Korea
Yvonne Boag interviews BG Muhn about his forthcoming book on the Passion, Propaganda and Paradox of North Korean Art to be published by Seoul Selections, and an exhibition at the American University Museum in Washington in 2016
Art museums rule: State support for grand visions
Kim Inhye on Seoul’s evolving infrastructure of museums, independent artists’ spaces and residency programs
Are we engaged or just hanging out? Korea–Australia arts exchange
Sarah Bond on the act of giving and taking as cultural exchange
Video and performance art in Korea: A force majeure
Yoo Jin Sang on the evolving forms of performative practice in contemporary Korean art
We are Korean: Cultural agency is power
David Pledger looks at the role of arts and culture in globalising national economies and contrasts Korean and Australian strategic thinking
