Issue 29:4 | December 2009 | Changing Climates in Arts Publishing
Changing Climates in Arts Publishing
Issue 29:4 | December 2009



talking it through: publishing in a carbon neutral future

The Ramingining Megaphone
Distinguished pioneer Indigenous Curator, activist and writer, Curator of Contemporary Art at Campbelltown Arts Centre Djon Mundine tells a very funny and intriguing story about how modern communication technology came to Ramingining and how it intersected with 'community consultation' by government departments.
Lean, mean and living dangerously
Associate Professor of Fine Art at the College of Fine Arts, Uni of NSW, Joanna Mendelssohn analyses a slice of the current state of art publishing in Australia from reviews in newspapers to the DAAO (Dictionary of Australian Artists Online - now rechristened Design and Art of Australasia Online).
From here to everywhere: the evolution of blogging
'The Art Life' blogmeister Andrew Frost spills the beans on the genesis of that infamous and lively blog in 2004 and its ongoing evolution in the context of new technologies and their uptake by publishing and by readers.
Artists want catalogues
Campbelltown Arts Centre Director Lisa Havilah writes about the crucial importance of catalogues to artists. Famous Chinese artist Ai Weiwei had his first international survey exhibition at Campbelltown in partnership with Sherman Contemporary Art Foundation. The incentive for Ai Weiwei was that a 2,000 print run book on his art would be published.
Environmental costs of going digital

Director of the Media and Communications Program at the University of Melbourne Professor Sean Cubitt asks: what is the weight of the internet, is it green, clean and immaterial with no environmental costs? The answer is a scary and resounding no.

Measuring the footprint: dead trees vs live text

Freelance writer, author of True Green @ Work and editor Tim Wallace discusses the conflict between new technologies making everything available for free and writers and content creators needing to be paid. He quotes from on a book by Kevin Kelly called New Rules for the New Economy: 10 Radical Strategies for a Connected World: 'The only factor becoming scarce in a world of abundance is human attention.'

Zine publishing and the long tail
Adelaide-based Zinemeister Dr Ianto Ware discusses how prophecies of digital dominance are colosally wrong with regard to zine publishing a genre which remains exclusively hardcopy. He finds zines to be quintessential examples of Editor of Wired Magazine Chris Anderson's Long Tail in which tiny niches multiply and thrive.
Finding the right balance: print + online
Managing editor of RealTime Keith Gallasch describes what the web means to print journalism and how RealTime manages its website and its hardcopy in a careful adaptation to a changing and unpredictable publishing ecology.
Copyright: Copyleft

Copyright lawyer Zoe Rodriguez discusses the implications of digitising works of literature and the contentious Google Book Settlement of 2009.

Libraries, creators and Google
The University of Sydney Librarian John Shipp describes the changing world of university libraries and the way they handle information in a digital age. He has nightmares about the Google settlement and his mantra is that 'creators should retain their rights.'
Communicating and the law
Bill Morrow, artist and legal expert in copyright law, sets out the current state of play. He says that some form of copyright is here to stay but it is in flux with regard to digital rights and the upcoming introduction of laws providing greater privacy protection.
Creative commons: fair to share?
Research Assistant at the Australian Research Council Centre of Excellence for Creative Industries Elliott Bledsoe throws light on (rants about) the wide-ranging implications of Creative Commons - the way of the future for copyright?
Artistic intention, branding and value
Artist Zina Kaye of writes about the importance of branding for artists and how artists play with copyright and fair use. She examines the artwork of Deborah Kelly, Soda_Jerk and Shepard Fairey to show variants on artist's intentions and outcomes.
Writing in the age of graphomania

Novelist and sinologist Linda Jaivin rejects the excess writing and publishing that the internet affords every person with a keyboard and compares it to Milan Kundera's definition of graphomania(an obsession with writing books). She would rather have fewer readers than more scanners believing that a 'long form' like a novel or book-length non-fiction needs slow writing and carefully crafted prose.

Copyright materials in university teaching
Art History Librarian at the Barr Smith Library, University of Adelaide Margaret Hosking explains the way fees and access are currently worked out for copyright materials in teaching at universities in Australia.
Mix and mash, take it, change it
Writer and curator Danni Zuvela celebrates remix or mashup culture and traces its history back through the Dadaists, Futurists, Max Ernst, Esther Shub, Arthur Lipsett, Joseph Cornell, Bruce Conner and Stan VanDerBeek. In a remix culture people valorise appropriation and talk about being copyfighters who believe the idea of text as property is a joke.
Collaborative Practice
Amanda Matulick is the managing editor of the Australian Network for Art and Technology (ANAT)'s publication Filter magazine, which is hardcopy as well as online at Filter uses open source Creative Commons licensing for its contributors. This means free sharing of information and ideas or as she puts it: "creation for creation's sake".
Don't look it might bite: censoring the visual arts
Executive Director of the National Association for the Visual Art (NAVA) Tamara Winikoff looks at the recent situation in Australia regarding censorship, art, politics and the law.
Freedom of expression and the mode of detachment
Art theorist, philosopher and Emeritus Professor at Flinders University Donald Brook advocates 'detached contemplation' as the most desirable, appropriate and potentially rewarding response to art.
Netting the big and the little fish: monographs and biographies
Emeritus Director of the Art Gallery of South Australia and highly respected investigative curator and writer Daniel Thomas pulls out the stops in a far-ranging appraisal of art book publishing in Australia. He writes: "Once the artist is well dead, even if the book is 'only' a monograph, disregard the family and friends; we need to know everything."
Lives of the 'settled' artists
Tess Allas is the Researcher of Storylines, an ARC funded project officially titled This Side of the Frontier: Indigenous Artists in Settled Australia. It focuses on biographies of Aboriginal artists from all over Australia except for the remote regions. Storylines can be found online at - the DAAO (Dictionary of Australian Artists Online - now rechristened Design and Art of Australasia Online).
Colour Country: Art from Roper River by Cath Bowdler and My Father, my brother: stories of Campbelltown's Aboriginal Men by Dvora Liberman
The exhibition is touring to Flinders University Art Museum 4 December 2009 – 14 February 2010, Drill Hall Gallery, Canberra 25 February – 11 April 2010 and Museum & Art Gallery of the Northern Territory, Darwin 22 May – 17 July 2010.
Theme Park: Brook Andrew AAMU, Utrecht, The Netherlands, 2008. 124pp, RRP $39.95 Between Indigenous Australia and Europe: John Mawurndjul Claus Volkenandt and Christian Kaufmann (eds) Dieter Reimer Verlag GmbH, Berlin, 2009. 350pp, RRP 45 Judy Watson: blood language by Judy Watson & Louise Martin-Chew, The Miegunyah Press, Melbourne, 2009. 240pp, RRP $39.95 New Beginnings: Classic Paintings from the Corrigan Collection of 21st Century Art McCulloch and McCulloch, Fitzroy, Victoria, 2008. 159pp, RRP $79.95 Icons of the Desert: Early Aboriginal paintings from Papunya Edited by Roger Benjamin with Andrew C. Weislogel, Herbert F. Johnson Museum of Art, Cornell University, 2009. 192pp, RRP $49.95
4th Fukuoka Asian Art Triennale, Japan
4th Fukuoka Asian Art Triennale (FT4), Japan 5 September – 23 November 2009
Floating Life: Contemporary Aboriginal Fibre Art
Floating Life: Contemporary Aboriginal Fibre Art Curator: Diane Moon Queensland Art Gallery 1 August – 18 October 2009
Simon Gilby: The Syndicate
Simon Gilby: The Syndicate Central TAFE Gallery, Perth 17 October – 14 November 2009
Kazuyo Sejima + Ryue Nishizawa / SANAA : an architectural intervention
Kazuyo Sejima + Ryue Nishizawa / SANAA : an architectural intervention Sherman Contemporary Art Foundation (SCAF), Sydney 3 July – 26 September 2009
Kathy Temin
Kathy Temin Curators: Jason Smith and Sue Cramer Heide Museum of Modern Art, Melbourne 1 August – 8 November 2009
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*some text missing* Lora Patterson , Fiona Lee, Cath Robinson, Callan Morgan, Grant Stevens Curator: Sarah Jones CAST Gallery, Hobart 18 July – 9 August 2009
BeginningMiddleEnd ANU School of Art Gallery, Canberra Curator: Lucien Leon 18 - 24 September 2009
Nyukana Baker : Retrospective
Nyukana Baker : Retrospective JamFactory Gallery, Adelaide Curator: Diana Young 1 August - 7 September 2009
Shelter: On Kindness
Shelter: On Kindness Curators: Suzanne Davies with Vanessa Gerrans and Sarah Morris RMIT Gallery, Melbourne 25 September – 25 October 2009
Western Australian Indigenous Art Awards
Western Australian Indigenous Art Awards Art Gallery Of Western Australia 25 July - 15 November 2009
Tim Burns: From the Garden
Tim Burns: From the Garden Bett Gallery, Hobart 9 October – 7 November 2009
Shih Chieh Huang : Cubozoa – L-09
Shih Chieh Huang : Cubozoa – L-09 Shed E @ Howard Smith Wharves, ARC Biennial of Art, Brisbane 9 October - 1 November 2009
Fiona Davies: Intangible Collection
Fiona Davies: Intangible Collection Maitland Regional Art Gallery, NSW 15 August - 18 November 2009
Milestones: Ken Orchard 1980-2009
Milestones: Ken Orchard 1980-2009 Red Poles Gallery, McLaren Vale, South Australia 29 August – 27 September 2009