Copyright: Copyleft

Cover of Copyright: Copyleft
1.272
Trevor "Turbo" Brown and company
Feature
Christine Morrow

Published 01 March 2018
1.27
Entangled looking: The crisis of the animal
Feature
Barbara Creed

Published 01 March 2018
1.276
Madison Bycroft's mollusc worlds
Feature
Matt Barlow

Published 01 March 2018
Darwin Aboriginal Art Fair
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From god‑head to bin chook: Ibis in the Australian cultural imagination
Feature
Paul Allatson and Andrea Connor

Published 01 March 2018
1.268
Surreal conjunctions in sartorial contexts: A testing ground for human-animal relations
Feature
Ann Finegan

Published 01 March 2018
1.274
In the beginning there was the worm: Animal voices beyond the verbal
Feature
Tessa Laird

Published 01 March 2018
Artlink Subs Promo
1.29
Becoming-horse: Jenny Watson, Art Orienté Objet and Berlinde De Bruyckere
Feature
Georgina Downey

Published 01 March 2018
1.272
Heading for trouble: Non‑human futures in recent art
Feature
Susan Ballard

Published 01 March 2018

Copyright lawyer Zoe Rodriguez discusses the implications of digitising works of literature and the contentious Google Book Settlement of 2009.

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Freedom of expression and the mode of detachment
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Donald Brook

Art theorist, philosopher and Emeritus Professor at Flinders University Donald Brook advocates 'detached contemplation' as the most desirable, appropriate and potentially rewarding response to art.

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Mix and mash, take it, change it
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Writer and curator Danni Zuvela celebrates remix or mashup culture and traces its history back through the Dadaists, Futurists, Max Ernst, Esther Shub, Arthur Lipsett, Joseph Cornell, Bruce Conner and Stan VanDerBeek. In a remix culture people valorise appropriation and talk about being copyfighters who believe the idea of text as property is a joke.

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Libraries, creators and Google
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The University of Sydney Librarian John Shipp describes the changing world of university libraries and the way they handle information in a digital age. He has nightmares about the Google settlement and his mantra is that 'creators should retain their rights.'

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Centre of the Periphery: Three European art historians in Melbourne by Sheridan Palmer
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Nyukana Baker : Retrospective
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JamFactory Gallery, Adelaide
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From here to everywhere: the evolution of blogging
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'The Art Life' blogmeister Andrew Frost spills the beans on the genesis of that infamous and lively blog in 2004 and its ongoing evolution in the context of new technologies and their uptake by publishing and by readers.

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Shih Chieh Huang : Cubozoa - L-09
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Shed E @ Howard Smith Wharves, ARC Biennial of Art, Brisbane
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4th Fukuoka Asian Art Triennale, Japan
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4th Fukuoka Asian Art Triennale (FT4), Japan
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Acts of transformation: 2010 Adelaide Festival, Adelaide Biennial of Australian Art
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Environmental costs of going digital
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Sean Cubitt

Director of the Media and Communications Program at the University of Melbourne Professor Sean Cubitt asks: what is the weight of the internet, is it green, clean and immaterial with no environmental costs? The answer is a scary and resounding no.

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Simon Gilby: The Syndicate
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Simon Gilby: The Syndicate
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Art in the biotech era Edited by Melentie Pandilovski
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Published December 2009
 
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The Lock-Up
Biennale of Sydney
Light Square Gallery
J M Coetzee Centre - Adelaide Uni