Published 01 September 2020
Published September 2020
Copyright lawyer Zoe Rodriguez discusses the implications of digitising works of literature and the contentious Google Book Settlement of 2009.
Nyukana Baker : Retrospective
JamFactory Gallery, Adelaide
Curator: Diana Young
1 August - 7 September 2009
Published December 2009
Kazuyo Sejima + Ryue Nishizawa / SANAA : an architectural intervention
Sherman Contemporary Art Foundation (SCAF), Sydney
3 July – 26 September 2009
Shelter: On Kindness
Curators: Suzanne Davies with Vanessa Gerrans and Sarah Morris
RMIT Gallery, Melbourne
25 September – 25 October 2009
Director of the Media and Communications Program at the University of Melbourne Professor Sean Cubitt asks: what is the weight of the internet, is it green, clean and immaterial with no environmental costs? The answer is a scary and resounding no.
Emeritus Director of the Art Gallery of South Australia and highly respected investigative curator and writer Daniel Thomas pulls out the stops in a far-ranging appraisal of art book publishing in Australia. He writes: "Once the artist is well dead, even if the book is 'only' a monograph, disregard the family and friends; we need to know everything."
Floating Life: Contemporary Aboriginal Fibre Art
Curator: Diane Moon
Queensland Art Gallery
1 August – 18 October 2009
Curators: Jason Smith and Sue Cramer
Heide Museum of Modern Art, Melbourne
1 August – 8 November 2009
Research Assistant at the Australian Research Council Centre of Excellence for Creative Industries Elliott Bledsoe throws light on (rants about) the wide-ranging implications of Creative Commons - the way of the future for copyright?
Writer and curator Danni Zuvela celebrates remix or mashup culture and traces its history back through the Dadaists, Futurists, Max Ernst, Esther Shub, Arthur Lipsett, Joseph Cornell, Bruce Conner and Stan VanDerBeek. In a remix culture people valorise appropriation and talk about being copyfighters who believe the idea of text as property is a joke.