Copyright: Copyleft

Cover of Copyright: Copyleft
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
NAVA
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Subs Promo
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Copyright lawyer Zoe Rodriguez discusses the implications of digitising works of literature and the contentious Google Book Settlement of 2009.

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More from this Issue Full Issue Contents

Writing in the age of graphomania
Feature
Linda Jaivin

Novelist and sinologist Linda Jaivin rejects the excess writing and publishing that the internet affords every person with a keyboard and compares it to Milan Kundera's definition of graphomania(an obsession with writing books). She would rather have fewer readers than more scanners believing that a 'long form' like a novel or book-length non-fiction needs slow writing and carefully crafted prose.

Published December 2009
Centre of the Periphery: Three European art historians in Melbourne by Sheridan Palmer
Book Review
Daniel Thomas

Published December 2009
Simon Gilby: The Syndicate
Review
Louise Morrison

Simon Gilby: The Syndicate
Central TAFE Gallery, Perth
17 October – 14 November 2009

Published December 2009
Don't look it might bite: censoring the visual arts
Feature
Tamara Winikoff

Executive Director of the National Association for the Visual Art (NAVA) Tamara Winikoff looks at the recent situation in Australia regarding censorship, art, politics and the law.

Published December 2009
The Golden Journey: Japanese Art from Australian Collections by James Bennett and Amy Reigle Newland
Book Review
Alison Main

Published December 2009
Acts of transformation: 2010 Adelaide Festival, Adelaide Biennial of Australian Art
Preview
Sarah Tutton and Charlotte Day

Published December 2009
Finding the right balance: print + online
Feature
Keith Gallasch

Managing editor of RealTime Keith Gallasch describes what the web means to print journalism and how RealTime manages its website and its hardcopy in a careful adaptation to a changing and unpredictable publishing ecology.

Published December 2009
Twelve Australian Photo Artists by Blair French and Daniel Palmer
Book Review
Anne Kirker

Published December 2009
Shelter: On Kindness
Review
Louisa Marks

Shelter: On Kindness
Curators: Suzanne Davies with Vanessa Gerrans and Sarah Morris
RMIT Gallery, Melbourne
25 September – 25 October 2009

Published December 2009
Libraries, creators and Google
Feature
John Shipp

The University of Sydney Librarian John Shipp describes the changing world of university libraries and the way they handle information in a digital age. He has nightmares about the Google settlement and his mantra is that 'creators should retain their rights.'

Published December 2009
Artrave
Artrave
Edblog

Published December 2009
Collaborative Practice
Feature
Amanda Matulick

Amanda Matulick is the managing editor of the Australian Network for Art and Technology (ANAT)'s publication Filter magazine, which is hardcopy as well as online at http://filter.anat.org.au. Filter uses open source Creative Commons licensing for its contributors. This means free sharing of information and ideas or as she puts it: "creation for creation's sake".

Published December 2009