Zine publishing and the long tail

Adelaide-based Zinemeister Dr Ianto Ware discusses how prophecies of digital dominance are colosally wrong with regard to zine publishing a genre which remains exclusively hardcopy. He finds zines to be quintessential examples of Editor of Wired Magazine Chris Anderson's Long Tail in which tiny niches multiply and thrive.

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Acts of transformation: 2010 Adelaide Festival, Adelaide Biennial of Australian Art

Sarah Tutton and Charlotte Day

Collaborative Practice

Amanda Matulick is the managing editor of the Australian Network for Art and Technology (ANAT)'s publication Filter magazine, which is hardcopy as well as online at http://filter.anat.org.au. Filter uses open source Creative Commons licensing for its contributors. This means free sharing of information and ideas or as she puts it: "creation for creation's sake".

Amanda Matulick

Milestones: Ken Orchard 1980-2009

Milestones: Ken Orchard 1980-2009 Red Poles Gallery, McLaren Vale, South Australia 29 August – 27 September 2009

John Neylon

Shelter: On Kindness

Shelter: On Kindness Curators: Suzanne Davies with Vanessa Gerrans and Sarah Morris RMIT Gallery, Melbourne 25 September – 25 October 2009

Louisa Marks

Environmental costs of going digital

Director of the Media and Communications Program at the University of Melbourne Professor Sean Cubitt asks: what is the weight of the internet, is it green, clean and immaterial with no environmental costs? The answer is a scary and resounding no.

Sean Cubitt

Western Australian Indigenous Art Awards

Western Australian Indigenous Art Awards Art Gallery Of Western Australia 25 July - 15 November 2009

Thelma John

Possession

Theme Park: Brook Andrew AAMU, Utrecht, The Netherlands, 2008. 124pp, RRP $39.95 Between Indigenous Australia and Europe: John Mawurndjul Claus Volkenandt and Christian Kaufmann (eds) Dieter Reimer Verlag GmbH, Berlin, 2009. 350pp, RRP 45 Judy Watson: blood language by Judy Watson & Louise Martin-Chew, The Miegunyah Press, Melbourne, 2009. 240pp, RRP $39.95 New Beginnings: Classic Paintings from the Corrigan Collection of 21st Century Art McCulloch and McCulloch, Fitzroy, Victoria, 2008. 159pp, RRP $79.95 Icons of the Desert: Early Aboriginal paintings from Papunya Edited by Roger Benjamin with Andrew C. Weislogel, Herbert F. Johnson Museum of Art, Cornell University, 2009. 192pp, RRP $49.95

Stephanie Radok

Creative commons: fair to share?

Research Assistant at the Australian Research Council Centre of Excellence for Creative Industries Elliott Bledsoe throws light on (rants about) the wide-ranging implications of Creative Commons - the way of the future for copyright?

Elliott Bledsoe

Photography Between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art Edited by Hilde Van Gelder and Helen Westgeest

Peter Hill

Fiona Davies: Intangible Collection

Fiona Davies: Intangible Collection Maitland Regional Art Gallery, NSW 15 August - 18 November 2009

Joanna Mendelssohn

Artists want catalogues

Campbelltown Arts Centre Director Lisa Havilah writes about the crucial importance of catalogues to artists. Famous Chinese artist Ai Weiwei had his first international survey exhibition at Campbelltown in partnership with Sherman Contemporary Art Foundation. The incentive for Ai Weiwei was that a 2,000 print run book on his art would be published.

Lisa Havilah

Colour Country: Art from Roper River by Cath Bowdler and My Father, my brother: stories of Campbelltown's Aboriginal Men by Dvora Liberman

The exhibition is touring to Flinders University Art Museum 4 December 2009 – 14 February 2010, Drill Hall Gallery, Canberra 25 February – 11 April 2010 and Museum & Art Gallery of the Northern Territory, Darwin 22 May – 17 July 2010.

Janet Maughan

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