Don't look it might bite: censoring the visual arts

Cover of Don't look it might bite: censoring the visual arts
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Promo
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Subs Promo
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Executive Director of the National Association for the Visual Art (NAVA) Tamara Winikoff looks at the recent situation in Australia regarding censorship, art, politics and the law.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

*some text missing*
Review
Sean Kelly

*some text missing*
Lora Patterson , Fiona Lee, Cath Robinson, Callan Morgan, Grant Stevens
Curator: Sarah Jones
CAST Gallery, Hobart
18 July – 9 August 2009

Published December 2009
Environmental costs of going digital
Feature
Sean Cubitt

Director of the Media and Communications Program at the University of Melbourne Professor Sean Cubitt asks: what is the weight of the internet, is it green, clean and immaterial with no environmental costs? The answer is a scary and resounding no.

Published December 2009
Modern Times: the untold story of Modernism in Australia Edited by Ann Stephen, Philip Goad and Andrew McNamara
Book Review
James Moss

Published December 2009
Nyukana Baker : Retrospective
Review
Nici Cumpston

Nyukana Baker : Retrospective
JamFactory Gallery, Adelaide
Curator: Diana Young
1 August - 7 September 2009

Published December 2009
Gallery A Sydney 1964-1983 Edited by John Murphy
Book Review
Olivia Bolton

Published December 2009
4th Fukuoka Asian Art Triennale, Japan
Review
Stephanie Britton

4th Fukuoka Asian Art Triennale (FT4), Japan
5 September – 23 November 2009

Published December 2009
Photography Between Poetry and Politics: The Critical Position of the Photographic Medium in Contemporary Art Edited by Hilde Van Gelder and Helen Westgeest
Book Review
Peter Hill

Published December 2009
Artists want catalogues
Feature
Lisa Havilah

Campbelltown Arts Centre Director Lisa Havilah writes about the crucial importance of catalogues to artists. Famous Chinese artist Ai Weiwei had his first international survey exhibition at Campbelltown in partnership with Sherman Contemporary Art Foundation. The incentive for Ai Weiwei was that a 2,000 print run book on his art would be published.

Published December 2009
Centre of the Periphery: Three European art historians in Melbourne by Sheridan Palmer
Book Review
Daniel Thomas

Published December 2009
Floating Life: Contemporary Aboriginal Fibre Art
Review
Timothy Morrell

Floating Life: Contemporary Aboriginal Fibre Art
Curator: Diane Moon
Queensland Art Gallery
1 August – 18 October 2009

Published December 2009
Finding the right balance: print + online
Feature
Keith Gallasch

Managing editor of RealTime Keith Gallasch describes what the web means to print journalism and how RealTime manages its website and its hardcopy in a careful adaptation to a changing and unpredictable publishing ecology.

Published December 2009
The Golden Journey: Japanese Art from Australian Collections by James Bennett and Amy Reigle Newland
Book Review
Alison Main

Published December 2009