Changing Climates in Arts Publishing

Changing Climates in Arts Publishing

vol 29 no 4, 2009


In a world where newspapers and journals are being replaced by online versions, and traditional copyright is being challenged, many new scenarios present themselves. Artists and publishers are being asked to make choices and address questions that are environmental, technical, aesthetic, legal and financial all at the same time. * carbon emissions from print/online content * should all content be free * effect of re-mix and Creative Commons on creators' rights * search engine uses of arts content * catalogues and zine publishing * art biography as online data bases emerge. Powerful climate change imagery, new work by emerging and established Australian artists, flows through the pages. Plus bonus review section: 17 recent books & catalogues. Based on the Changing Climates in Arts Publishing forums organised by Artlink in Adelaide and Sydney in 2009 More on the forums including programs and vodcast. Discussions of a lively team of experts, writers, artists, copyright lawyers, arts publishers, activists: Zina Kaye, Elliott Bledsoe, Linda Jaivin, Daniel Thomas, Tess Allas, Joanna Mendelssohn, Sean Cubitt, Tamara Winikoff, Andrew Frost, Donald Brook, Lisa Havilah, Djon Mundine, Zoe Rodriguez, Bill Morrow.

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NAVA - National Association for the Visual Arts

An installation by Sebastian Zagarella

Keepsakes - Australians and the Great War



Lorne Sculpture Biennale

Korean Artist Project

Job: Director, Griffith Artworks

Art In Culture - South Korean art magazine


You are here » Artlink » vol 29 no 4, 2009 » Don't look it might bite: censoring the visual arts

Don't look it might bite: censoring the visual arts

Author: Ms Tamara Winikoff, feature

Executive Director of the National Association for the Visual Art (NAVA) Tamara Winikoff looks at the recent situation in Australia regarding censorship, art, politics and the law.



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