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Virtual Futures for New Media Art: A Report on dLux Media Arts' Immersive Conditions Forum
New media art has developed a close if troubled relationship with the figure of the future. Discusses Troy Innocent's ICONICA, Mousetrap by Ian Haig, RAPT by Justine Cooper, OSMOSE and EPHEMERE by Char Davies and Immersive Conditions a forum held at the Powerhouse Museum Sydney. Examines concepts of virtual reality and apparent reality.
The Future of Art
Forget the White Gloves: Plug-ins Rule OK ANAT National School for New Media Curation
ANAT Australian Network for Art and Technology devised its 1999 National School, me.d.ia.te, to assist curators and arts workers in gaining a technical and theoretical understanding of new media art exhibition practice. It aimed to provide a 'world's best practice' model.
The Future of Art
A Country Practice...
The Northern Rivers Region of NSW has more practising artists per head of population than any other region of Australia. Issues such as surviving as a country artist, traditional art practice, commercial considerations, prescribed political and gender issues are raised. Critiques the project 'Beyond the Basin' funded by the NSW Ministry for the Arts and its resultant exhibition 'A Country Practice'.
The Future of Art
New Geographies of Knowledge
Explores the relationship between art making in the city and the regional areas. How much do curatorial strategies or templates order and determine what we see in State galleries and large exhibitions? Looks at the exhibition 'Palimpsest #2' to raise questions of curatorial control or whether it should continue without such controls.
The Future of Art
One Pole Too Many? Learning to Speak the Language of a Successful Australian Arts Practitioner
Discusses the exhibition 'Diaphanous' at Span Galleries curated by Kirsten Rann, deconstructing and challenging the notion of multicultural artist.
The Future of Art
Unheard Voices: Asian Artists in Australia
Discussion of the issues for artists of Asian descent in the Australian milieu, exploring issues of identity and displacement. Unheard voices could also characterise emerging artists as well as those from a multicultural background.
The Future of Art
Art Teachers Hampered by Lack of Training
Art teachers today are expected to have a greater proficiency in a broader range of art skills, yet due to the under funding of teacher training they are receiving less training and professional development to prepare them for the classroom. Discusses the 1999 International Society of Education through Art (InSEA) the theme being 'Cultures and Transitions' held in Brisbane. 1st conference held in 1951
The Future of Art
The Artist and the Critic
Fortunately not all critics are so urgently in need of friends that they write hymns of praise after every long lunch. Some even relish being labelled 'ungrateful'. I would argue that the only critic worth reading is an ungrateful critic. Looks at the role of visual art criticism in the newspaper columns of the daily press.
The Future of Art
Hypothetical Product
Critics rarely talk about money and art. How to price a work of art and how to make a living of about $35,000 per annum are discussed. Artist need to work out how to make a name for themselves to increase the base price of their artworks. And anyway if you have to think about the price, chances are you can't afford it.
The Future of Art
The Good the Bad and the GST
The role of the arts within the Federal Coalition portfolio. Proposed new tax arrangements suggest a contraction in support for new innovative work in favour of much more conservative, market driven high end focussed practice, and a drop overall in arts activity.
The Future of Art
Upping the Ante: SALA'99.Leter to the Editor
Describes the nature of SALA South Australian Living Artists Week to celebrate the talent and imagination of SA artists and aims to promote widespread recognition of their achievements by exposing their work to new audiences. There were 50 venues, 28 of which were outside the metropolitan area.
The Future of Art
User-friendly Internet Options for the Arts
Dynamic interactive web-sites are becoming increasingly the norm. Lists the types of functions that are available using particular technology.
The Future of Art
Immediate
Exhbition Review Immediate 31 March- 11 April 1999 Plimsoll Gallery, Hobart Tasmania
Curated by Leigh Hobba
The Future of Art
Emblematic
Exhibition review Emblematic 12-31 March 1999 Smith+Stonely, Queensland
Curated by Amelia Gundelach
The Future of Art
Doll
Exhibition review Doll 19 March - 15May 1999
29 artists plus works from the SA Museum,
Artspace, Adelaide Festival Centre
South Australia
Curated by Vivonne Thwaites
The Future of Art
Blak Beauty and Images from the Sea
Exhibition reviews Blak Beauty February 6- May 2 1999
Curated by Brook Andrew
Images from the Sea December 5 1998- June 27 1999
Djamu Gallery:
Australian Museum at Customs House,
Sydney NSW
The Future of Art
Butcher Cherel Janangoo, Julie Dowling, Julie Gough
Exhibition review Butcher Cherel Janangoo, Julie Dowling, Julie Gough 10 February - 7 March 1999
Artplace Western Australia
The Future of Art
Riding on the Edge: Art, Identity and the Motorcycle
Exhibition review Riding on the edge: Art Identity and the Motorcycle
7 February- 11 April 1999
Waverley City Gallery
Curated by John Pigot
The Future of Art
The New Ecodesign: Sceptics Beware!
Whilst on a global scale Australia still dawdles on ecodesign, pockets of cutting-edge research and design are moving ahead with international recognition. Overview of events. In 1991 RMIT in Melbourne hosted the EcoDesign 1 Conference 1989-1992 Designers for the Planet, Perth WA Society for Responsible Design (1990 - ) NSW Re-Design Group Melbourne, Victoria (1991-93).
Australian Design
The Domestic Companion: Taking Stock of Furniture Futures
In 1990/91 the author was commissioned to research and develop a national furniture industry strategy. Examines domestic furniture futures, the concept of home, flexibility, transverse use, product families, trends and future furniture companions.
Australian Design
Exhibiting Furniture
The exhibiting and collecting of contemporary Australian furniture design is a telling indicator of how we as a society regard design. Australian furniture has been seen at SOFA (Sculpture, Objects and Functional Art - Gallery Trade Fair Chicago USA) since 1993.
Australian Design
Lighting Design
Market size in Australia is the main hurdle to successful lighting however there are designers who are making inroads with Australian lighting design.
Australian Design
A Touching Story
Sydney's Powerhouse Museum began collecting artefacts relating to industrial design in the late 1980s. Since then a number of designers and consultancies have been represented in the collection. The author, curator of Industrial Design, Innovation and Marketing at the Powerhouse tells the story of these unsung heros and heroines of the everyday.
Australian Design
Out of the Garden and into the Landscape
What landscape architects in Australia have been doing since about 1970 is to begin to address the Australian lanscape in all its extraordinariness and vastness - as a subject for design and interpretation in the creation not only of our settlements but all those places where we may leave our mark, even if we don't inhabit them.
Australian Design
Designing for the Computer Screen
Design for the new media encourages models which utilise multi-dimensional connectivities. Vertical layering of data is their area of exploration in comparison to the more conventional horizontal depiction of information on the page or in narrative cinema. The grammar of the interface designer has had to alter to accommodate random access and idiosyncratic hierarchies established by the user.
Australian Design
Magabala Books: The Politics of Design
Magabala Books, Australia's first indigenous publishing house takes its name from an indigenous vine that flourishes on the pindan soil of north western Australia. Sam Cook is the publisher's first indigenous designer. She talks with Mara Mann.
Australian Design
Australian Fine China: Artists and Industry
Perth based Australian Fine China, the only maker of porcelain in Australia and New Zealand, is currently using a number of artist-designers to move from being a stolid china manufacturer for railways and cafes to one whose products are seen in top flight restaurants in the big hotels, in classy tourist venues and now on the dining tables of the nation. They have some way to go to entice Australians to purchase the 'local product' for their homes but they are making steady progress.
Australian Design
From the Bush to the Street: A Change in Direction for Australian Fashion
Despite the pull of the outback and the image of the Aussie bushman, the majority of modern Australians are urban dwellers, strung around the perimeter of the Continent. Little known to the outside world beyond our cultural icons of the kangaroo and the koala, few look to Australia as a source of contemporary design in any form, let alone fashion. Until recently, the global fashion market has seen fit to ignore the rest of our antipodean designers.
Australian Design
Indigenous Australian Dyed and Printed Textiles
Textile traditions of indigenous Australians have provided an impressive basis for their current divergent development within the framework of introduced technologies. Looks at various textile producing centres around Australia Tiwi, Ernabella, Kaltjiti, Injalak, Keringke, Ngunga Designs, Warta kutju, Kaen design, Djookan design....
Australian Design
Spots n' Dots n' Stars n' Bars
Australian Textile design from an RMIT perspective surveying current and future initiatives - practice based issues of developing guidelines for copyright in an industry that is known for - in polite terms-recycling and reworking proven designs, to the more speculative concept of creating a dialogue in textiles between Australian and other countries via the internet.
Australian Design
Desert Designs
Based in Fremantle, Western Australia, Desert Designs (begun in 1984) is a concept marketing company that deals with authentic Aboriginal art works and acts as a nexus with manufacturing industries to facilitate their transition into products and their entry into retail markets.
Australian Design
SA Designer-makers Turn to Industry
A unique exhibition curated by Steve Ronayne (owner of Aptos Cruz Galleries) held at theJam Factory Gallery in 1996 'South Australia - Emerging crucible of contemporary design' showed just how many local designer-makers of contemporary craft are adopting industrial processes in their work.
Australian Design
Andrew Carter: Theatre Designer to the World
Andrew Carter is a much sought after theatre designer. He is a creator of innovative sets and has received many presitigous commissions.
Australian Design
The Soft Machine
Interview with Andrew Rogers, Director of the ARID industrial design group (within the University of Adelaide's Research precinct). They spoke about the seductive blurrings of boundaries between man and soft machine.
Australian Design
Furniture Design in Western Australia
The present era of contemporary Western Australian furniture design can be thought of as beginning under the influence of David Foulkes-Taylor (1956 until his death in 1966).
Australian Design
Gifted Arts
In 1992 the Premier of WA initiated the Premier's Gift Commissioning Project in conjunction with the Crafts Council of WA inviting artists to design and produce protocol gifts and souvenirs within a lower price range, which though of exclusive design could be manufactured in multiples using light local industrial processes where appropriate.
Australian Design
Serious Fun
Book review Absolutely Mardi Gras
Jointly published by Doubleday and the Powerhouse Museum
1997
RRP $29.95
Australian Design
Inventive Australia
Book review Know-how, the guide to innovation in Australia
Interactive CD Rom published by Powerhouse Publications,
Powerhouse Museum, Sydney NSW
Macintosh/Windows
RRP $99.95
Australian Design
Seeing a Plant: Being a Plant
Exhibition review Stephanie Radok
Greenaway Gallery, Adelaide SA
11 September - 6 October 1996
Australian Design
Petals on a Wet Black Bough
Exhibition review In Remembrance of Things Past... Angela Valamanesh Jam Factory Craft and Design Centre, Adelaide SA
18 October - 1 December 1996
Australian Design
Loungeroom of Ideas
Exhibition review Messy and Restless: Helene Czerny, Julie Duffield, Paul Hoban, Terri Hoskin, Derek O'Connor
Contemporary Art Centre Adelaide SA
1- 24 November 1996
Australian Design
Out of the Kitchen
Exhibition review Masters Exhibitions 1996
12-28 September: Greg Geraghty, Johnathon Dady, Paul Dryga, Namchou Chitma
10-26 October: Rhonda Wheatland, Amanda Poland, Helen Stacey, Elizabeth Abbott, Brian Lynch
7- 23 November: Greg Fullerton, Danielle O'Brien, Julia McGuire, Harekrishna Bag,
University of SA Museum, Adelaide SA
Australian Design
Wanton Fruits
Exhibition review Barbie Kjar
Dick Bett Gallery,
Salamanca Place,
Hobart Tasmania
26 November - 10 December 1996
Australian Design
Share-house Art
Exhibition review Tasmania art co-op: recent works from Australian Artist-Run Initiatives
The Long Gallery, Salamanca Arts Centre, Hobart Tasmania
15 November - 8 December 1996
Australian Design
The Nature of Perception
Exhibition review Howard Taylor: Paintings and Drawings
Galerie Dusseldorf, Perth WA
1- 22 September 1996
Australian Design
Space Defined
Exhibition review Jewellery by Brenda Ridgewell,
New Collectibles Gallery,
East Fremantle WA
20 November - 1 December 1996
Australian Design