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Contributors

Carol Schwarzman

Christine Morrow

Georgina Downey

Gillian Marsden

Ingeborg Reichle

Jennifer Johung

Joanna Mendelssohn

Jude van der Merwe

Louise Martin-Chew

Louise Morrison

Margaret Mayhew

Melentie Pandilovski

Pruedence Gibson

Stephanie Britton

Stephanie Radok

Issues

Issue 38:1 | March 2018 | Considering the Animals

Considering the Animals

Issue 38:1 | March 2018

Issue 34:3 | September 2014 | Bio Art

Issue 34:3 | September 2014

Articles

Editorial: Considering the animals

Eve Sullivan

Heading for trouble: Non‑human futures in recent art

Susan Ballard

Becoming-horse: Jenny Watson, Art Orienté Objet and Berlinde De Bruyckere

Georgina Downey

In the beginning there was the worm: Animal voices beyond the verbal

Tessa Laird

Surreal conjunctions in sartorial contexts: A testing ground for human–animal relations

Ann Finegan

From god‑head to bin chook: Ibis in the Australian cultural imagination

Paul Allatson and Andrea Connor

Madison Bycroft’s mollusc worlds

Matt Barlow

Entangled looking: The crisis of the animal

Barbara Creed

Trevor “Turbo” Brown and company

Christine Morrow

Editorial: Evo-devo

Stephanie Britton

The beginnings and ends of bio art

Suzanne Anker

Helen Pynor: Confounding clear separations

Marius Kwint

Notes to Bennett

Gordon Bennett 1955–2014

Pat Hoffie

Berlin Biennale 8

Carmen Ansaldo

Inge King: Constellation

Inga Walton

Christoph Büchel: Southdale/C-MONA

Sean Kelly

Out of darkness

Mazie Turner 1954–2014

Una Rey and Lisa Slade

Australian Art: A History

By Sasha Grishin
Miegunyah Press, 2014
570 pp.

Joanna Mendelssohn

Get a Life: An Autobiographical Anthology of Theories

Jim Hamlyn

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Holding the line: The Adelaide Central School of Art across 30 years

Chris Orchard

Lola Greeno: Cultural Jewels

Gillian Marsden

Madison Bycroft: Synonyms for Savages: Animal. Archive. Iterations of the Aether. Squid. Mum.

Kim Littler

Groundrush

Kieran Finnane

Hot Modernism

Louise Martin-Chew

Mother Nature is a Lesbian: Political Printmaking in South Australia 1970s-1980s

Stephanie Radok

It’s Timely

Alyce Neal

Worth its Weight in Gold

Louise Morrison

Saltwater Country

Carol Schwarzman

Some Sydney ARIs

Renee Quiambao

Florid

Jude van der Merwe

When this you see, remember me: David McDiarmid

Margaret Mayhew

The Biotech species

Melentie Pandilovski

Unintelligent, inefficient: The limit to biological design

Stuart Bunt

Photosynthesis, electric motor symbiotic machine

Ivan Henriques

Speculative biology in the practice of Pinar Yoldas

Ingeborg Reichle

In defence of Bioartwork

Donald Brook

Syncretic strategies: Art in the time of the Fourth VR

Roy Ascott

Vital maintenance: Tissue Culture & Art

Jennifer Johung

The challenges of working with bacteria as an artistic medium

Anna Dumitriu

Breaking the cycle: Life, death and resurrection in the art of Svenja Kratz

Tara Heffernan

Nanoart

Paul Thomas and Pruedence Gibson

Toxicity: An exhibition curated by Melentie Pandilovski and Jennifer Willet

Niki Sperou

Oysters heal river: MONA Heavy Metal Project

Stephanie Radok

Thingworld in Beijing: A world of machines that think and watch

Stephanie Britton

SymbioticA: Why artists seriously play with life

Oron Catts

GV Art gallery: London hub for art/science/technology

Robert Devcic

James Geurts: Being with the flow

Paul Downton

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Guy Ben-Ary: Brain-body compatability for the 21st century

Kirsten Hudson

Artrave

Eve Sullivan

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