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The work of art in the age of biocybernetic reproduction
W.J.T. Mitchell
The Surgical Fix: Physical Capital, Self-Improvement and the Body Beautiful
Victoria Ryan
Sex in the Cyborg: Julie Rrap's Overstepping
George Alexander
Animal Love and Bestiality
Bronwyn Platten
Similarities, Gen-et(h)ic Boundaries, and Respect for Otherness
Barbara Noske
The Theatrics of Cloning: The Recent Paintings of Juan Ford
Penny Trotter
Carnophilia
Kit Wise
Willing tenants: Ella Dreyfus and her models
Jane Goodall
Sympathetic Magic: Skin and Canvas
Pat Hoffie
Animal Magnetism: Sharon Goodwin and the Eternal Romance of the Bestial
Juliette Peers
Uglielands: The Fremantle Festival 2001
Dorothy Erickson
Polemic: The Undoing of Art History (Part II)
Donald Brook
Improving Their Bodies, Improving Our Bodies
Anne Quain
Light Years: William Robinson and the Creation Story
Hannah Fink
Post Natural Nature: Rosemary Laing
George Alexander
Gordon Bennett's Art: The Aura of Origin
Ian McLean
Ginger Riley Munduwalawala: A Seeing Artist
Judith Ryan
Imants Tillers and Positive Value
Ian North
Trade: Fiona Hall
Stephanie Radok
Rosslynd Piggott: Perfect/Sense
Juliette Peers
Fiona Foley: Knowing Where to Look
Pat Hoffie
Polemic: The Undoing of Art History (Part I)
Donald Brook
Patricia Piccinini: Love & Intelligent Machines
Jacqueline Millner
Polemic: An Allergic Reaction - The eminence grise in our Art Schools
Pat Hoffie
Australian New Media: An Active Circuit
Julianne Pierce
Interfacing Art, Science and New Media
Anna Munster
Is Any Body Really There? Hybrid/Performance Arts
Keith Gallasch and Virginia Baxter
Digital Drawing: The Same But Different
Mike Leggett
Fresh Portals for the Caravanserai: art and new media in India and Australia
Samara Mitchell
The A-gender of Cute Capital
Larissa Hjorth
Do Art-droids Dream Of Electric Sheep?
Danny Butt
An Ecology of OZ Mutant Media
Jean Poole
Inframedia Audio: Glitches and Tape Hiss
Mitchell Whitelaw
Out of Australia: International Exposure
Linda Wallace
Storming the Reality Studio
Darren Tofts
Writing on the Net: Nodes and Hypertext
Linda Carroli
Digital Luggage and Meaningful Relationships
Kim Machan
The Paradox of Autistic Art
Allan W. Synder and Mandy Thomas
The Child in Photography
Robert McFarlane
Remembering Jesus: The Child in Australian Aboriginal Art
Brook Andrew
Children Who Hurt: A Film Made by Young People
Phillip Crawford
Artists and Wunderkids
Beryl Mckenzie and Jennifer Phipps
Play Things: Some Contemporary Artists and their Objects
Russell Storer
Focus: No Man is an Island: A Two Part Reading
Stephanie Radok
Teenage Riot: Representations of Adolescence in Contemporary Art
K.P. Hall
Engaging a Young Audience at the Queensland Art Gallery
Michael Beckmann
Kidding Around: Children in the Visual Arts
Stephanie Lindquist
Children's Art Program at Sydney Children's Hospital
Lesley Rosenberg
Sampling our Child-Friendly Museums
The Child Guides Program
Elizabeth Ann Macgregor
Primary Non-Producers: The Arts in Crisis in Public Education
Julie Orchard
Polemic: Two Myths about Blue Poles
Donald Brook
Unchain my Art: Notes on the role of myths and preconceptions in shaping perceptions of women's art
Juliette Peers
Frank Bauer Goes Public
Gail Fairlamb
Asher Bilu: Doing Business with the Cosmic
Heather Ellyard
Beyond Mertz and Whitechapel: 'contemporary' Australian Modernism
Paula Furby
The Art of Living Dangerously: Victor Meertens
Jonathan Holmes
Public Art Boom in Western Australia: It is the edges that make it interesting
Nikki Miller
Space adventures: Collaborations in public art and urban design in Victoria
Andy Miller
Heroism in the Public Domain
Tempe MacGowan
Will we get real artist's moral rights?
Tamara Winikoff
Gateway to Adelaide: The Process, The Result
Ruth Fazakerley
A far cry from waiting room wallpaper: Ian North's The Intelligence of Blood
Catherine Speck
Texas: Artists Move in on Project Row House
Nancy Bless
Melbourne's Public Art goes Temporary
Richard Holt
Wendy Mills in the Mall: The 'Water Table'
Michele Helmrich
Stafford and Staff: Queensland's Public Art Agency
Timothy Morrell
Signage to Confuse and Amuse
Richard Tipping
Polemic: GO BACK You Are Going the Wrong Way
Donald Brook
Why You Should Join VISCOPY Now!
Mark Ferguson
Auctions and Copyright: Moratorium
Paul Greenaway
Modern Machine Art
Simon Penny
Artlink - The Second Decade 1991-2000
Stephanie Britton
Australian Aboriginal Cultures Gallery
David Kerr
Artlink and Museums, Past and Present
Juliette Peers
The Link Exhibition
Ian North
Craft Theory
Suzi Attiwill
Design Practice: Trawling the Speculative Field
Gini Lee
Art/Body the Liminal Experiences of Indigeneity
Michael A. Mel
Social Ecology
Stuart Hill
Regional Art: Theorising the regions
Neil Fettling
Art for Social Change: Footsteps from the Past to the Future
Carmen Grostal
Unsentimental Experimental: The Experimental Art Foundation 25 years on
Maria Bilske
Donald Brook's Art Theory
Alan Lee
Culture Without Limits: a reflection of art, politics, and shabby nationalism
Fotis Kapetopoulos
Adelaide Studios
Lisa Harms
Cash Crop: Fiona Hall
Julie Ewington
Good Taste: Food, Consumption & Pleasure
The tyranny of paradise or ... On being an emerging artist in Darwin
Cath Bowdler
Emerging Artists
The Visible Human Project: Life and death in cyberspace
Catherine Waldby
Art & Medicine
The & of Art & Design
Tony Fry
Australian Design
Art about farming, farming as an art
James Darling
Culture/Agriculture
Cultivated anatomy: Fiona Hall's Garden of Earthly Delights
Dorothy Erickson
Culture/Agriculture
The food chain starts here: Larrtha’puy, from the mangroves
Djon Mundine
Culture/Agriculture
Frank Watters: Sydney art gallery owner
Bronwyn Watson
Sydney: The Big Shift
Gaytime in Sydney: Gay and Lesbian Mardi Gras Arts Festival
Elizabeth Ashburn
Sydney: The Big Shift
Sadomaschism, Art and the Lesbian Sexual revolution
Sheila Jeffreys
Art & the Feminist Project
Shedding Skins: Identity and 'Lesbian' Art Practice
Barbara Bolt
Art & the Feminist Project
Arts Project Australia: Creativity, marginality and the politics of difference
Chris McAuliffe
Naive & Outsider Art
A memorial for the dead: Commemorating 200 years of loss
Djon Mundine and Howard Morphy
Contemporary Australian Aboriginal Art
Art Co-ordinator: No ordinary job
Djon Mundine
Contemporary Australian Aboriginal Art
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