The New Artplace

2002 is something of a landmark year for Artplace, one of Western Australia's most prominent commercial galleries. Not only is the gallery celebrating its tenth anniversary, it has also relocated to stunning custom-designed (and awardnominated) premises at 24 Church Street in the heart of Perth's cultural district.

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Kim Machan: Screening the Asia Pacfic

Louise Martin-Chew

Deeper Places

3 May - 30 June 2002 Casula Powerhouse Arts Centre

Kiersten Fishburn

Art and Enterprise

Dorothy Erickson

The Ideal Gallery: If Pigs Could Fly

Joanna Mendelssohn

Turning Artists into Subcontractors: The Artworkers Alliance

An enormous pair of demonstrative hands, one lying supplicant the other pointing metaphorically skywards as a physical reminder to 'look to the heavens' past the encroaching skyscrapers at the over-reaching great sky, is the latest addition to the Brisbane CBD streetscape.

Alison Kubler

Paul Greenaway: Energy Synergy

Habitual browsers of a leading internet art site, accustomed to an absence of Australian content, would have been startled in February of this year, to observe a prominent reference to Australian art at Madrid's ARCO. For Paul Greenaway, Director of Greenaway Art Gallery in Adelaide, and motivated by a desire to redress the lack of international awareness of contemporary Australian art, it marked the culmination of seven years of lobbying to have Australia designated the focus nation at the Spanish contemporary art fair.

Wendy Walker

Lorenna Grant: High Performance

Lorraine Grant

Mutable Spaces

Metro Arts, Brisbane 10-27 April 2002

Angela Goddard

Tony Nathan: On a Cool Winter Mourning

Robert Cook

The Shape of Air

Plimsoll Gallery, Hobart 10 May - 2 June 2002

Kit Wise

New Art Spaces in South Australia

Adelaide, surrounding areas and country SA

Stephanie Radok

Art On A String

Aboriginal Threaded Objects From the Central Desert and Arnhem Land, Co-curated by Louise Hamby and Diana Young Tandanya National Aboriginal Cultural Centre, Adelaide 22 June - 11 August, 2002

Christine Nicholls

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