The complex, ingenious, labour-intensive artworks made by Fiona Hall arouse great wonder, delight, incredulity and thoughtfulness in the viewer as the various bodies of her work create a Wunderkammer for the late twentieth and early twenty-first century. Radok here covers the life and work of Fiona Hall, with a particular focus on the material and immaterial aspects, the idea of the other and the human and non-human to demonstrate that no separation is possible or, indeed, desirable.
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