Issues

Issue 34:2 | June 2014 | Indigenous: Blackground
Indigenous: Blackground
Issue 34:2 | June 2014

Articles

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19th Biennale of Sydney: You Imagine What You Desire
Cockatoo Island, Museum of Contemporary Art, Art Gallery of New South Wales, Carriageworks, Artspace.
21 March – 9 June 2014
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Old Masters: Australia’s Great Bark Artists
National Museum of Australia, Canberra 6 December - 20 July 2014
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Pixels+Fibre
Northern Territory Centre for Contemporary Art, Darwin 21 March – 19 April 2014
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safARI 2014
Alaska Projects, Kings Cross Cross Art Projects, Kings Cross Wellington St Projects, Chippendale The Corner Cooperative, Chippendale DNA Projects, Chippendale Museum and St James Stations, CBD 14 March – 4 April 2014
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Sculpture by the Sea
Cottesloe, Western Australia 7 – 24 March 2014
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The Skullbone Experiment: A Paradigm of Art and Nature

Queen Victoria Museum and Art Gallery, Inveresk, Launceston 15 March – 18 May 2014 Galleries UNSW/COFA, Sydney 18 July – 30 August 2014

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Stuart Ringholt: Kraft
Monash University Museum of Art Curators: Charlotte Day and Robert Leonard 14 February – 17 April 2014
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The Flash of Recognition: Photography and the Emergence of Indigenous Rights
Artist and curator Troy-Anthony Baylis reviews Jane Lydon's book The Flash of Recognition: and regards it as a "crucial text for visual communication, media, film, and photography scholars, who will learn to be more analytical of how images, particularly images of Aboriginal people, have been constructed through journalism, activism, and art."
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Poetics and politics
On the First Peoples exhibition in the Bunjilaka Gallery at Museum Victoria
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Territory style: Salon des Refusés
Yanuwa/Larrakia/Bardi/Wardaman woman Franchesca Cubillo, Senior Curator/Advisor National Gallery of Australia, writes about the first Salon des Refusés (conceived and brought to fruition by gallerists Matt Ward and Paul Johnstone) held in Darwin in 2013 as a pendant to the National Aboriginal and Torres Strait Islander Art Awards.
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