Reviews

Socially engaged art in Adelaide, October 1983
Artlink 3:5
Ways of printmaking
Artlink 3:5
Performing with technology
Artlink 3:5
Reaching stasis: Thoughts on the recent work of Hossein Valamanesh
Artlink 3:5
The same tune but a different song: Greg Hooper at Roundspace
Artlink 3:5
Art of a suburb: Artists in St Peters & Somewhere in St Peters
Artlink 3:5
Domestic politics: Is your cutlery showing?
Artlink 3:5
Art and Working Life
Artlink 3:5
Film: The forsaken media?
Artlink 3:5
Contemporary Art Society: Upcoming exhibitions
Artlink 3:5
Navigator, edited by Simon Penny
Artlink 3:5
The image of struggle: Polly Sumner photography
Artlink 3:6
Two photographers: Fiona Hall and Kate Breakey
Artlink 3:4
Predictable actions: Auto Atak
Artlink 3:4
Daughters on the stage
Artlink 3:4
I Love Lithography: Eight graduating printmakers
Artlink 3:3
Drawing with light: Clifford Frith public sculpture
Artlink 3:3
We regret to inform you: Ideas on Ice
Artlink 3:3
On staying healthy and safe: Artist Beware by Michael McCann
Artlink 3:3
All Out Ensemble, Right on: Situation Normal...Cut Up
Artlink 3:3
Adolescents ignoring the issues: Matriculation Art Show
Artlink 3:3
Warm welcome for new music: The Sensual Avant-Garde
Artlink 3:3
A feeling for environment: Prue Bonnin and Karen Genoff at Contemporary Art Society
Artlink 3:3
Promising 'Promises': Land of Promises, An exhibition of silkscreen prints by migrants
Artlink 3:2
The Meaning of a White Carnation: Learning and Visual Communication by David Sless, Croom Helm, London
Artlink 3:2
Arbitrary Review: Australian Art Review edited by Leon Paroissien, Warner Associates
Artlink 3:2
Shock Waves in Prospect
Artlink 3:1
Art History in the Making: SA Sculpture Survey
Artlink 3:1
Bodies and Branches: Coming Into Contact, works by David Thorp
Artlink 3:1
Callow Camera: Eight Graduating Photographers from the SA School of Art
Artlink 3:1
Two Painters: Not Still Lives, Home Cooking Theatre Company, Troupe, February 1983, director Barbara Ciszewska.
Artlink 3:1
Lawrence Daws by Neville Weston, Reed, Sydney.
Artlink 3:1
Through a Left Lens, Darkly: Thinking Photography edited by Victor Burgin, Macmillan
Artlink 2:6
The Visual Artist and the Law by Shane Simpson, Law Book Company Ltd
Artlink 2:6
Issues in Black and White
Artlink 2:6
Ed Douglas: Views of the Earth
Artlink 2:6
Preview: Portrait of Elizabeth
Artlink 2:5
Expressing Women's Worlds: Quantum Leaps-a series of events organised by the Women's Art Movement
Artlink 2:4
Beating Wings: Recent sculpture by Marcus Champ, Jam Factory Gallery
Artlink 2:4
Celebrating Style: Popism at the National Gallery of Victoria, July 1982
Artlink 2:4
Peter Fuller's 'Aesthetics After Modernism'
Artlink 2:3
Mental Osmosis: Double Vision Event by Ian de Gruchy, The Experimental Art Foundation
Artlink 2:3
Moving Mountains: Peter C. Webb, paintings at the Contemporary Art Society
Artlink 2:3
Creativity, rambling and disobedience: Architect or Bee
Artlink 1:2
Art and Theatre: Gutsy meetings
Artlink 1:2
Cathy Brooks at The Developed Image
Artlink 1:1
Gorgeous spreads: Australian picture story books of the '70s
Artlink 1:1
Signs of Life
Melbourne International Biennial 1999 Telecom Building Russell St and other venues in Melbourne 11 May - 27 June
Disintegration
James Gleeson
A selection of work from 1978-1998 Pinacotheca, Melbourne 2 - 26 June 1999
Disintegration
Red Contemporary Art Events
National Gallery of Victoria 28 May - 30 June 1999
Disintegration
Richard Larter
An exhibition to celebrate his 70th birthday Watters Gallery and Legge Gallery May 1999
Disintegration
Transit Lounge
Keith Armstrong Metro Arts, Brisbane 26 May - 19 June 1999
Disintegration
Respirare: Sebastion Di Mauro
Institute of Modern Art, Brisbane June 3 - 26
Disintegration
piVot
1 July - 8 August 1999 Nexus Gallery, Adelaide curated by Elizabeth Fotiadis
Disintegration
Ian Chandler
Greenaway Gallery 28 April - 23 May 1999
Disintegration
Jam Factory Biennial 1999
JamFactory, Adelaide 17 July - 29 August 1999
Disintegration
Cache: An Exhibition of Work by Artists from the Letitia Street Studios
11 June - 4 July 1999 CAST Gallery 27 Tasma Street, North Hobart
Disintegration
50 Reasons: Rox De Luca and Jo Darbyshire
Fremantle Arts Centre 28 May to 20 June 1999
Disintegration
Angela Stewart: Three Women
Lawrence Wilson Art Gallery 28 May - 27 June 1999
Disintegration
Art + Food = Lucio
Review of the book 'The art of food at Lucio's' by Lucio Galletto and Timothy Fisher, introduction by Leo Schofield. Foreword by Robert Hughes Craftsman House 1999 Sydney RRP $65.
Good Taste: Food, Consumption & Pleasure
Set Menus
Book Review Reel Meals, Set Meals: Food in Film and Theatre by Gaye Poole, Currency Press Sydney 1999 Links the consumption of food with the consumption of culture.
Good Taste: Food, Consumption & Pleasure
Designing the Hot Potato: Food, Design and Culture
Book Review Food: Design and culture Edited by Claire Catteral London; Lawrence King Publishing in association with Glasgow 1999 Festival Company
Good Taste: Food, Consumption & Pleasure
Craft and Contemporary Social Ritual: Eating and Drinking
Book Review Craft and contemporary Social Ritual: Eating and Drinking Craft Victoria Melbourne 1999 $35 "Discussion about craft has moved apace and this publication proves it."
Good Taste: Food, Consumption & Pleasure
Antony Hamilton: Mythology of Landscape
Survey exhibition, Art Gallery of South Australia 3 September  7 November 1999
Good Taste: Food, Consumption & Pleasure
Twenty Five Years and Beyond: Papunya Tula Painting
Curated by Doreen Mellor and Vincent Megaw Flinders University Art Museum City Gallery, Adelaide 4 September - 17 October 1999 Flinders Art Museum Campus Gallery 6 September - 22 December 1999.
Good Taste: Food, Consumption & Pleasure
Body of Language: Roseanne Bartley
Craft Victoria Melbourne 5  28 August 1999
Good Taste: Food, Consumption & Pleasure
One Sculptural Furniture
Annette Cock, Yvette Dumergue, Kathy Fox Stairwell Gallery, The Public Office, Melbourne
Good Taste: Food, Consumption & Pleasure
Messengers from the West
A video-art project by Mayza Hamdan, Joanne Saad and Marian Abboud Artistic Director: Vahid Vahed Artspace 30 Sept - 23 October
Good Taste: Food, Consumption & Pleasure
What John Berger Saw:
Robert Boynes, Susan Fereday, Elizabeth Gertsakis, Dean Golja, Paul Hoban, John Hughes, Tim Johnson, Peter Kennedy, Peter Lyssiotis, Polixeni Papapetrou, Gregory Pryer, Anne Zahalka, Constance Zikos, The exhibition features a collaborative work by John Berger and UK artist John Christie. Canberra School of Art Gallery 10 September - 6 November 1999 Australian Tour 2000-2001
Good Taste: Food, Consumption & Pleasure
Remembering Chinese: Gregory Kwok-Keung Leong
University Gallery, Launceston 5 - 27 August 1999 Craft Victoria 30 Sept - 30 Oct Burnie Regional Art Gallery 13 Dec - 1 Jan
Good Taste: Food, Consumption & Pleasure
WARP
John Vella, Neil Haddon and Phillip Watkins Curated by David Hansen CAST Gallery, North Hobart 9 July - 1 August1999
Good Taste: Food, Consumption & Pleasure
Robert Juniper
The Art Gallery of Western Australia 11 September - 21 November
Good Taste: Food, Consumption & Pleasure
Brenda L. Croft, Destiny Deacon & Glen Hughes
Brenda L Croft:In My Father's House Destiny Deacon:Postcards from Mummy Glen Hughes:One Family: Perth Institute of Contemporary Art 12 August - 12 September 1999
Good Taste: Food, Consumption & Pleasure
The Third Asia Pacific Triennial of Contemporary Art
Queensland Art Gallery 9 September - 26 January
Good Taste: Food, Consumption & Pleasure
History and Memory in the art of Gordon Bennett
Brisbane City Gallery; July 29 - Sept 4, 1999 Ikon Gallery, Birmingham: Nov 20, 1999 - Jan 23 2000 Arnolfini Galleries, Bristol: Jan 29 - March 12, 2000 Henie Onstad Gallery, Oslo: April 9 - June 12, 2000
Good Taste: Food, Consumption & Pleasure
Immediate
Exhbition Review Immediate 31 March- 11 April 1999 Plimsoll Gallery, Hobart Tasmania Curated by Leigh Hobba
The Future of Art
Emblematic
Exhibition review Emblematic 12-31 March 1999 Smith+Stonely, Queensland Curated by Amelia Gundelach
The Future of Art
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