
Artlink 2:6
Issue 2:6 | December 1982
Editor: Stephanie Britton
Adelaide's new art school | Making fun of Robert Hughes | Why artists need to know about Artlaw | Children's drawings outside the classroom | Reviews: performance, British drawing | photography
Having recently installed his 70 ft stainless steel cones at the Australian National Gallery Bert Flugelman is now sending up public monuments, including his own, in his new piece Sculpture Bargain Counter. Three items are displayed on a table whose legs represent the cones and tetrahedrons of his earlier large pieces. There is a handy (3-sided) pyramid ('save one side') a child-proof monument ('protect your investment') and a space-warp monsteria ('add another dimension to your living room').
In this issue
Artrave
Exemplary Objects: Robert Hughes on the New Australian National Gallery
Alternative Art School- Real at Last
Through a Left Lens, Darkly: Thinking Photography edited by Victor Burgin, Macmillan
The Visual Artist and the Law by Shane Simpson, Law Book Company Ltd
Children's Spontaneous Drawings: an Introduction
Contemporary British Drawing
Issues in Black and White
Ed Douglas: Views of the Earth
Coast Watch
The Awakening Giant
Politics of Art or an Aesthetic for Women? Part 4 (Final)
The CYSS Show
Frenetic Vitality
Letters