Artlink 2:3
Issue 2:3 | July 1982
Editor: Stephanie Britton
The New Painting | Peter Fuller Challenged Sydney Bienniale: Art Orgy | Feminist Art Reassessed | Performance: a British view | Reviews
Sydney Biennale 1982, Min Tanaka, performance artist from Japan performing at the Art Gallery of NSW. (See Pain and Pleasure, review of the Biennale, this issue.) Photograph John Peplow.
In this issue
Letters
Artrave
Pain and Pleasure: Vision in Disbelief': Fourth Biennale of Sydney
It’s a Question of What Kinds of Arguments Remain the Most Visible: The Biennale Forum-A Decade of Feminist Art in Review
Leaving the Cul de Sac Part 2
Peter Fuller's 'Aesthetics After Modernism'
The Politics of Art, or an Aesthetic for Women? Part 1
The Temporal Arts
Straight Down the Guts
Community Arts at the EAF
The Need for More Visual Art Spaces
Performance Art as Excellence
Mental Osmosis: Double Vision Event by Ian de Gruchy, The Experimental Art Foundation
Moving Mountains: Peter C. Webb, paintings at the Contemporary Art Society