Showing and Working Together in WA

Cover of Showing and Working Together in WA
0.786
Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
0.786
Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

0.794
Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Amended 2020
0.788
The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
0.786
On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
0.792
Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
Guildhouse
0.786
How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
0.786
Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Shedding the Bark
Feature
Susan Cochrane

Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.

Published June 1994
Artrave
Artrave
Edblog

Published June 1994
Jemmy Caution
Review
Stephanie Radok

Exhibition review Jemmy
Mehmet Adil, Craige Andrae, Johnnie Dadie, Simryn Gill, Richard Grayson, Linda Marie Walker, Paul Hewson, Shaun Kirby, David O'Halloran, Bronia Iwanczak, Andrew Petrusevics, Bronwyn Platten, George Popperwell, Jyanni Steffensen, Steve Wigg
Curated by Alan Cruikshank
Ebenezer Studios Basement
February 18 - March 13 1994

Published June 1994
Showing Art On Your Terms
Feature
Ewa

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

Published June 1994
Critical Mass/ City Art/ Artists' Initiatives
Feature
Stephanie Radok

A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.

Published June 1994
Dial Up for Rewards
Feature
Sue Harris

Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.

Published June 1994
Aboriginal Art Exhibitions in Western Australia
Review
Noel Sheridan

Review The Festival of Perth presented two major exhibitions of Western Australian Aboriginal art Bush Women at the Fremantle Arts Centre and This is my country at the exciting new exhibition venue 'Artplace' in Claremont.

Published June 1994
Multiples for Sale
Feature
Susan Fereday

Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.

Published June 1994
The Green and the Wild
Review
Jonathan Holmes

Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994

Published June 1994
Arts Employment Through Small Business
Feature
Helen Millicer

...So in effect, what we have in Australia is a separation of public and commercial by governments arts departments that unfortunately does not take into account the fact that the arts industry operates on a continuum...

Published June 1994
Artists -- From Garret to Office
Feature
Kevin Wilson

The Premier of Victoria may claim that his government has opened Victoria for business, but it is the important role of local government and the Federal Government in developing arts training and facilities that is really making the running. Artists are no longer in their garrets but in front of pcs in their offices.

Published June 1994
Adelaide Installations: Adelaide Festival

Various locations

Review
Julie Ewington

Review Adelaide Installations Adelaide Festival South Australia Various locations 25 February - 13 March 1994

Published 01 June 1994
 
MGNSW
CAT
Bill Morrow
NAVA
Desert Mob