Showing and Working Together in WA

Cover of Showing and Working Together in WA
David Smerdon: Duchamp's Opposition
Feature
Rex Butler and David Smerdon

Published 14 May 2020
0.75
Nagesh's recipe for Biryani
Feature
Nagesh Seethiah

Published 01 December 2019
0.77
Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
Artlink Subs Promo
0.772
Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
0.77
The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
0.786
Crafty prepping
Feature
Sera Waters

Published 01 March 2020
The Torch
0.77
2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
0.768
Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020

To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.

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More from this Issue Full Issue Contents

Dial Up for Rewards
Feature
Sue Harris

Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.

Published June 1994
Shedding the Bark
Feature
Susan Cochrane

Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.

Published June 1994
Bonanza for Creators in Ipswich
Feature
Stephanie Britton

Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.

Published June 1994
No Vacancy: The Art of 400 Artists
Feature
Maggie McCormick

Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
Feature
Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
Whitechapel Meets Eastenders
Feature
Kevin Wilson

Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.

Published June 1994
Designs on Shopping
Review
Sean Kelly

Exhibition review 4 Seasons - Objects that Contain
Plimsoll Gallery
University of Tasmania Centre for the Arts
March 4 - 27 1994

Published June 1994
Missing in Action
Book Review
Sarah Miller

Book review Body and self: Performance Art in Australia 1969 -1992
By Anne Marsh
Oxford University Press Australia 1993

Published June 1994
Pav Offers Sweet Success
Feature
Stephanie Britton

Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.

Published June 1994
The Green and the Wild
Review
Jonathan Holmes

Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994

Published June 1994
Showing Art On Your Terms
Feature
Ewa

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

Published June 1994
Noarlunga: Backwater No Longer
Feature
Stephanie Britton

The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.

Published June 1994
 
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