More from this Issue
Good Spot for a Pot Shot
The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.
The Case of the Cigarette and the Egg
Review Women and sexuality in Asian-Pacific Cinema
Media Resource Centre
Adelaide South Australia
February 26 - March 11 1994
Easy Access Hardware
The Raw Material Curatorial Development Program was designed to provide training opportunities for curators without experience, but with plenty of potential. Based at Gertrude Street Victoria. Featured artwork by Marie Sierra-Hughes.
The Spirit of Collectivism: A Brief Guide to Melbourne's Artist-run Galleries
A brief guide to Melbourne's artist run galleries: Ether Ohnetitel, The Women's Gallery, Gallery Gecko, The COOP, A For Art Space, Making Sense Contemporary Art Space, The Basement Project, Argyle Street Studios, West Space, Arts Post, RedPlanet, Another Planet Posters, Red Letter Community Workshop, A.R.T. (artaroundtown), First Floor, Store 5, Room 4, ROAR Studio, Temple 29 and 41 Gold Street.
Sophistication in the Country
Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.
A View of the Perennials
Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993
Pav Offers Sweet Success
Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.
Non-Metro Spaces
Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.
Adelaide Installations: Adelaide Festival
Review Adelaide Installations Adelaide Festival South Australia Various locations 25 February - 13 March 1994
No Vacancy: The Art of 400 Artists
Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.
Multiples for Sale
Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.
Dial Up for Rewards
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.