Art Gallery of Western Australia
Published 04 May 2022
Adelaide Railway Station
Monash University Museum of Art
Published 30 March 2022
Edited by Brad Haylock & Megan Patty Sternberg Press, 2021, 288 pages
Angela Goddard and Tim Riley Walsh (eds.) Griffith University Art Museum and Power Publications, 2020 66 images, including colour plates 216 pages
The Substation
Published 15 December 2021
ACE Open, Tarntanya/Adelaide
TarraWarra Museum of Art
Various locations 25 Feburary – 13 March 1994
Review Adelaide Installations Adelaide Festival South Australia Various locations 25 February - 13 March 1994
Julie Ewington is Education Officer at the Museum of Contemporary Art, Sydney.
Published June 1994
Review Adelaide Installations Adelaide Festival of Art South Australia Various locations February - March 1994
At the Jam Factory in Adelaide, Rolf Bartz, David Archer and Lorry Wedding-Marchiaro are three of the SA designer makers who have entered into a marketing agreement which may be the way of the future for many more.
The transforming role of local government. More enlightened attitudes towards art making are coming from all levels of government and from property developers and others - often at the urging of those various levels of government.
Book review Body and self: Performance Art in Australia 1969 -1992 By Anne Marsh Oxford University Press Australia 1993
As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.
A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.
Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.
Box Hill known in the art world for its connection to the Heidelberg School of Painting has maintained its commitment to the arts.
Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.
"If you are real lucky you got CDEP or your are making it selling your art and then you got a good art centre too, maybe. If you are real lucky just when you turn up with a couple of week's art production, maybe yours, maybe the families, the centre's got cash, no one's a bastard, everyone's happy, the store has even got some decent food, even new bikes, toy guns, tape decks and a few tins of Log Cabin. Shit, life's good - sometimes anyway." A personal view of art making in indigenous communities.
...So in effect, what we have in Australia is a separation of public and commercial by governments arts departments that unfortunately does not take into account the fact that the arts industry operates on a continuum...
