Showing Art On Your Terms

Cover of Showing Art On Your Terms
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Claire Milledge
Feature
Amelia Wallin

Published 01 March 2019
Japan Foundation
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
ACE Open
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

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More from this Issue Full Issue Contents

Good Spot for a Pot Shot
Feature
Stephanie Britton

The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.

Published June 1994
Liverpool Links: Industry and Art
Feature
Stephanie Britton

The Cultural Services Unit of the Liverpool City Council has increased substantially over the last 2 years as has the number of artists employed by them.

Published June 1994
Non-Metro Spaces
Feature
Stephanie Britton

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

Published June 1994
Brisbane Offers Plenty of Space
Feature
Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

Published June 1994
Things I've Seen a Little Different Along the Way - Stories from Up North
Feature
Steve Fox

"If you are real lucky you got CDEP or your are making it selling your art and then you got a good art centre too, maybe. If you are real lucky just when you turn up with a couple of week's art production, maybe yours, maybe the families, the centre's got cash, no one's a bastard, everyone's happy, the store has even got some decent food, even new bikes, toy guns, tape decks and a few tins of Log Cabin. Shit, life's good - sometimes anyway." A personal view of art making in indigenous communities.

Published June 1994
Income, Outcome? Hard Times for Artists + Industry
Feature
Bruce Filley

As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.

Published June 1994
The Green and the Wild
Review
Jonathan Holmes

Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994

Published June 1994
The Case of the Cigarette and the Egg
Review
Yumi Lee

Review Women and sexuality in Asian-Pacific Cinema
Media Resource Centre
Adelaide South Australia
February 26 - March 11 1994

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
Feature
Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
Pav Offers Sweet Success
Feature
Stephanie Britton

Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.

Published June 1994
Noarlunga: Backwater No Longer
Feature
Stephanie Britton

The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.

Published June 1994
No Vacancy: The Art of 400 Artists
Feature
Maggie McCormick

Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.

Published June 1994
 
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