Showing Art On Your Terms

Cover of Showing Art On Your Terms
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Hazelhurst
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
NAVA
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

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More from this Issue Full Issue Contents

Roads, Rates and Renaissance
Feature
Stephanie Britton

Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.

Published June 1994
A View of the Perennials
Book Review
Lorraine Jenyns

Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993

Published June 1994
Good Spot for a Pot Shot
Feature
Stephanie Britton

The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.

Published June 1994
The Case of the Cigarette and the Egg
Review
Yumi Lee

Review Women and sexuality in Asian-Pacific Cinema
Media Resource Centre
Adelaide South Australia
February 26 - March 11 1994

Published June 1994
The Green and the Wild
Review
Jonathan Holmes

Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994

Published June 1994
Living Off Your Art: New Figures on Artists' Income
Feature
David Throsby

Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.

Published June 1994
The End of an Era? Artists' Week 1994 Adelaide Festival
Feature
Melissa Cater

Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.

Published June 1994
The Jeweller's Apprentice
Feature
Alice Whish

"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
Feature
Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
Furniture, Ceramics: What the Hell, Let's Do It
Feature
Stephanie Britton

Examines the Centre for Furniture Design, the Centre for the Arts in Tasmania and the Atlantis Studio in Townsville Queensland.

Published June 1994
Briefly, Two Epics
Feature
Ian North

Review Adelaide Installations
Adelaide Festival of Art
South Australia Various locations
February - March 1994

Published June 1994
Artists -- From Garret to Office
Feature
Kevin Wilson

The Premier of Victoria may claim that his government has opened Victoria for business, but it is the important role of local government and the Federal Government in developing arts training and facilities that is really making the running. Artists are no longer in their garrets but in front of pcs in their offices.

Published June 1994
 
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