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Exhibition review 4 Seasons - Objects that Contain
University of Tasmania Centre for the Arts
March 4 - 27 1994
Published June 1994
Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.
or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.
Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.
Exhibition review Jemmy
Mehmet Adil, Craige Andrae, Johnnie Dadie, Simryn Gill, Richard Grayson, Linda Marie Walker, Paul Hewson, Shaun Kirby, David O'Halloran, Bronia Iwanczak, Andrew Petrusevics, Bronwyn Platten, George Popperwell, Jyanni Steffensen, Steve Wigg
Curated by Alan Cruikshank
Ebenezer Studios Basement
February 18 - March 13 1994
The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.
Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.
Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993
Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.
Box Hill known in the art world for its connection to the Heidelberg School of Painting has maintained its commitment to the arts.
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.
How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?