Luk Luk Gen!

Cover of Luk Luk Gen!
1.266
Jude Adams: Narratives from the Family Album

artroom5

Review
Zoe Freney

Published 10 December 2018
1.302
Bush Women

Fremantle Arts Centre

Review
Gemma Weston

Published 10 December 2018
1.126
Oceania

Royal Academy, London

Review
Mandy Treagus

Published 07 December 2018
Hazelhurst
1.126
Jessie Boylan: Rupture

Bendigo Art Gallery

Review
Andrew Stephens

Published 07 December 2018
1.122
Dress Code

Museum of Brisbane 

Review
Ann Finegan

Published 06 December 2018
1.272
OzAsia Festival Visual Arts Program

Various venues, Adelaide

Review
Margot Osborne

Published 12 November 2018
Axolotl
1.262
Then and Now | Making : Memory

Articulate project space

Review
Craig Judd

Published 09 November 2018
1.124
Void

UTS Gallery, Sydney

Review
Larissa Behrendt

Published 24 October 2018

Exhibition Review: Tandanya National Aboriginal Cultural Institute Adelaide South Australia November 1990 - June 1991

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More from this Issue Full Issue Contents

Mixing it in Broome and Darwin
Feature
Kerry Davies

The Broome Mix is useful to bear in mind when thinking on all things multicultural - cultural diversity. In Broome that's culture - a mix of Aboriginal, Asian and European.

Published June 1991
Images from the Esperanto Suite
Feature
Phillip George

During the process of producing his artworks, George looks for ways of translating different philosophical ideas into marks and images.

Published June 1991
National Multicultural Arts Network
Feature
Eugenia Hill

The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.

Published June 1991
Other Peoples' Stories, Other Peoples' Voices
Feature
Ruby Langford

Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....

Published June 1991
4 Artists from WA
Feature
Julian Goddard

Looks at the art practice of four artists in Western Australia - Patrizia Tonello, Alex Spremberg, Cathy Cinanni and Karl Wiebke. Illustrations of their independent works included.

Published June 1991
BulaBula: New High Tech Arts Centre, Ramingining
Feature
Steve Bunk

The three storey facility looks incongruous in the ramshackle Aboriginal settlement of Ramingining which crouches along a dirt road in an Arnhem Land eucalypt forest 550 km east of Darwin in the Northern Territory. Photos of people in Ramingining.

Published June 1991
Diario per una Vita Nuova
Feature
Mark Hinderaker

A multi media installation by Dennis Del Favero.

Published June 1991
People's Cultural Action in Australia: The PACIN Experience
Feature
Christian Ramillo

Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.

Published June 1991
Collaborative Impressions
Feature
Nola Routoulas

Exhibition review: Works by Nola Routoulas, Helen Karpathakis, Nora Mantzioris and Alexandra Akritidis.
Artzone Gallery, Adelaide South Australia April 1991

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
Interview with James Mollison
Feature
Meredith Smith

The Office of Multicultural Affairs talks for Artlink with James Mollison, Director of the National Gallery of Victoria March 1991.

Published June 1991
Accelerate
Feature
Sam Schoenbaum

"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.

Published June 1991
 
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