Published 10 December 2018
Fremantle Arts Centre
Royal Academy, London
Published 07 December 2018
Bendigo Art Gallery
Museum of Brisbane
Published 06 December 2018
Various venues, Adelaide
Published 12 November 2018
Articulate project space
Published 09 November 2018
UTS Gallery, Sydney
Published 24 October 2018
Exhibition Review: Tandanya National Aboriginal Cultural Institute Adelaide South Australia
November 1990 - June 1991
The Broome Mix is useful to bear in mind when thinking on all things multicultural - cultural diversity. In Broome that's culture - a mix of Aboriginal, Asian and European.
Published June 1991
During the process of producing his artworks, George looks for ways of translating different philosophical ideas into marks and images.
The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.
Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....
Looks at the art practice of four artists in Western Australia - Patrizia Tonello, Alex Spremberg, Cathy Cinanni and Karl Wiebke. Illustrations of their independent works included.
The three storey facility looks incongruous in the ramshackle Aboriginal settlement of Ramingining which crouches along a dirt road in an Arnhem Land eucalypt forest 550 km east of Darwin in the Northern Territory. Photos of people in Ramingining.
A multi media installation by Dennis Del Favero.
Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.
Exhibition review: Works by Nola Routoulas, Helen Karpathakis, Nora Mantzioris and Alexandra Akritidis.
Artzone Gallery, Adelaide South Australia April 1991
This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!
The Office of Multicultural Affairs talks for Artlink with James Mollison, Director of the National Gallery of Victoria March 1991.
"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.